{"id":113986,"date":"2025-05-01T16:42:49","date_gmt":"2025-05-01T20:42:49","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=113986"},"modified":"2025-05-02T08:00:01","modified_gmt":"2025-05-02T12:00:01","slug":"preview-kindred-spirits-orchestra-presents-poems-portraits-pianist-dmitri-levkovich","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2025\/05\/01\/preview-kindred-spirits-orchestra-presents-poems-portraits-pianist-dmitri-levkovich\/","title":{"rendered":"PREVIEW | Kindred Spirits Orchestra Presents Poems And Portraits With Pianist Dmitri Levkovich"},"content":{"rendered":"
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L: Kindred Spirits Orchestra with conductor Kristian Alexander; R: Pianist Dmitri Levkovich (Photo: Emily Burns)<\/figcaption><\/figure>\n

Conductor Kristian Alexander and the Kindred Spirits Orchestra will present their next concert, titled Poems And Portraits, on May 10. Pianist Dmitri Levkovich joins KSO to perform Bart\u00f3k\u2019s piano concerto No. 1.<\/p>\n

The dynamic program also includes Debussy\u2019s iconic Pr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune, and Shostakovich, Symphony No. 7 \u2018Leningrad\u2019. Each of the pieces has a story to tell.<\/p>\n

Pianist Dmitri Levkovich<\/h2>\n

Ukranian-born Canadian pianist and composer Dmitri Levkovich studied piano and composition with Sergei Babayan at the Curtis Institute of Music for 11 years, emerging with a Bachelor of Music, Master of Music, and Artist Diploma.<\/p>\n

He went on to tackle international competitions, and collected several prizes, including the China International (1st and Chopin Prizes), Cleveland (2nd, Chopin and Audience Prizes), German Piano Award (1st), Gina Bachauer (3rd), Jose Iturbi (1st), and the Vend\u00f4me Prize (2nd).<\/p>\n

His much lauded debut recording of Rachmaninoff\u2019s 24 Preludes garnered a nomination for the 2016 International Classical Music Award.<\/p>\n

Over the last couple of seasons, Dmitri has performed with the Cleveland Orchestra, China National Orchestra, and Dresden Philharmonic, and on the stages of the Berlin Philharmonie, Carnegie Hall, and Beijing Performing Arts Centre\u2019s Main Stage. Dmitri recently debuted at the Ravinia Festival, and the 2nd International Mariinsky Far East Festival.<\/p>\n

The Music<\/h2>\n

Debussy, Pr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune<\/h3>\n

One of Debussy\u2019s best known works, Pr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune is a symphonic poem. Debussy was inspired by the poem of the same name by French Symbolist poet St\u00e9phane Mallarm\u00e9. Written in 1894, it has since been hailed as representing a turning point in Western art music from the traditional to modernism.<\/p>\n

It was premiered in Paris on December 22, 1894, with Georges Barr\u00e8re performing the flute solo. Pierre Boulez wrote that, \u201cthe flute of the faun brought new breath to the art of music.\u201d The piece incorporates (six-note) whole-tone and pentatonic (five-tone) scales, and chromaticism (notes outside the main scale), elements which are now associated with musical impressionism.<\/p>\n

Bart\u00f3k, Concerto for piano and orchestra No. 1, Sz. 83, BB 91<\/h3>\n

Bart\u00f3k composed his Piano Concerto No. 1 in 1926. It was part of a flurry of pieces he wrote for piano after a three year period during which he produced very little work. His notes indicate that the percussion instruments should be placed beside the piano. It\u2019s an indication of the percussive nature of the work overall. The work is also characterized by syncopation, dissonant counterpoint, and tone clusters which Bart\u00f3k borrowed (with permission) from piano works by composer Henry Cowell.<\/p>\n

Bart\u00f3k himself was the soloist at the premiere, which took place at the fifth International Festival of the International Society for Contemporary Music in Frankfurt on July 1, 1927. Wilhelm Furtw\u00e4ngler conducted, and critics were largely outraged at its very modern sound.<\/p>\n

Shostakovich, Symphony No. 7 in C major, Op. 60 \u2018Leningrad\u2019<\/h3>\n

Shostakovich began composing his Symphony No. 7 in Leningrad, and then completed it in the city of Samara. It was December 1941, during the height of the Second World War, and the German Army was laying siege to Leningrad. The Symphony would later premiere in Samara on March 5, 1942.<\/p>\n

The composer had initially dedicated the work to Lenin himself, but changed it to the city of Leningrad. It was finally performed in that city on August 9, 1942, about a year into the siege.<\/p>\n

The story of how it got there was itself a tribute to resistance against fascism and totalitarianism. Shostakovich had transferred the score to microfilm in Samara, and it was delivered in secret by a torturous route that went from Tehran to Cairo to New York. There, it received its North American premiere with the NBC Symphony Orchestra under the baton of Arturo Toscanini. The performance was broadcast on July 19, 1942, and Time magazine placed Shostakovich on its cover for the occasion.<\/p>\n

The Concert<\/h2>\n

The concert includes a pre-concert recital and talk.<\/p>\n