{"id":113853,"date":"2025-04-25T15:57:14","date_gmt":"2025-04-25T19:57:14","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=113853"},"modified":"2025-04-28T08:00:01","modified_gmt":"2025-04-28T12:00:01","slug":"interview-new-music-concerts-makeway-alex-matterson-anju-singh-steven-webb-tsz-long-fish-yu","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2025\/04\/25\/interview-new-music-concerts-makeway-alex-matterson-anju-singh-steven-webb-tsz-long-fish-yu\/","title":{"rendered":"INTERVIEW | New Music Concerts MAKEWAY:  Alex Matterson, Anju Singh, Steven Webb &amp; Tsz Long (Fish) Yu"},"content":{"rendered":"<figure id=\"attachment_113855\" aria-describedby=\"caption-attachment-113855\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-113855\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy_of_INTERVIEW_3.jpg\" alt=\"L-R: Composers Steven Webb (Photo courtesy of the artist); Alex Matterson (Photo courtesy of the artist); Anju Singh (Photo: Taylor Geddes); Tsz Long (Fish) Yu (Photo courtesy of the artist)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy_of_INTERVIEW_3.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy_of_INTERVIEW_3-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy_of_INTERVIEW_3-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy_of_INTERVIEW_3-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-113855\" class=\"wp-caption-text\">L-R: Composers Steven Webb (Photo courtesy of the artist); Alex Matterson (Photo courtesy of the artist); Anju Singh (Photo: Taylor Geddes); Tsz Long (Fish) Yu (Photo courtesy of the artist)<\/figcaption><\/figure>\n<p>New Music Concerts\u2019 MAKEWAY program helps to train emerging composers. Launched in 2023, it returns this year with four composers who\u2019ll showcase their new works in a concert on May 2.<\/p>\n<p>NMC\u2019s approach is focused on the artist, and is tailored to suit the needs of each participant. That includes creating bespoke ensembles to present their works. The jury included Anthony R. Green, Keiko Devaux, Sheree Spencer, and Eliot Britton, and Jennifer Tung serves as Guest Conductor for the concert.<\/p>\n<p>Four emerging composers were chosen to take part in New Music Concerts MAKEWAY program: Alex Matterson, Anju Singh, Steven Webb, and Tsz Long (Fish) Yu.<\/p>\n<p>We spoke to each of them about their work.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/EdQD9S9XBek?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Alex Matterson (CAN) Partitioned (2025 World Premiere) for 8 Instruments<\/h3>\n<p>\u201cMy dad was a drummer in a rock band,\u201d recalls composer Alex Matterson. Alex remembers an eclectic variety of music that was played in the family home.<\/p>\n<p>Prior experience in music includes years spent in a touring rock band. Along the way, Matterson became more and more interested in contemporary classical.<\/p>\n<p>\u201cI got really attracted to new music.\u201d It led to a desire to dive into the field, and a university degree. \u201cI just graduated from the University of Victoria with a Bachelor\u2019s degree,\u201d Alex says.<\/p>\n<p>Alex names Krzysztof Penderecki as an early influence, along with composer and sound artist Harry Towell and George Crumb. \u201cI really enjoy a lot of modern noise music. I think that has a larger influence on me than most things.\u201d<\/p>\n<p>One of Matterson\u2019s profs emailed him the information about NMC\u2019s MAKEWAY program, and Alex applied without expectations. \u201cI was kind of surprised to be honest. I feel like I\u2019m kind of the least experienced.\u201d<\/p>\n<p>Although Alex is a recent grad, they also participated in The International Summer Course for Composers SYNTHETIS in Poland. The NMC opportunity is both exciting and nerve wracking.<\/p>\n<p>\u201cI\u2019m very, very excited. It\u2019ll be super cool.\u201d Applying for opportunities and commissions is another step in the career path. \u201cIt\u2019s been great to start applying for these kind of things.\u201d<\/p>\n<p>Networking opportunities one of the perks of NMC MAKEWAY. The Toronto musicians who\u2019ll be fleshing out the work are another component. \u201cTo hear a professional new music ensemble perform my work was really crazy,\u201d Matterson says. \u201cThey\u2019re really open to anything.\u201d<\/p>\n<p>Alex\u2019s piece for the event has personal dimensions.<\/p>\n<p>\u201cMy piece is called Partitioned. I kind of describe it as passing through a solid object.\u201d As a transgendered person, Alex sees it as a kind of allegory for coming out in today\u2019s society. \u201cI\u2019m using it as kind of passing through a wall.\u201d<\/p>\n<p>The music aims to convey the journey from what was before and what is to come, bearing in mind that the latter isn\u2019t necessarily known, along with the overwhelming, intense, claustrophobic feeling that comes with experiencing discrimination.<\/p>\n<p>\u201cIt\u2019s quite intense, as is a lot of my music.\u201d<\/p>\n<p>So far, Alex reports that feedback has been positive.<\/p>\n<p>\u201cIt\u2019ll be crazy. It\u2019s a lot of sound the whole time.\u201d<\/p>\n<p>Hearing everyone else\u2019s work is yet another benefit to the program.<\/p>\n<p>\u201cWe\u2019re all so different and all of our practices are different.\u201d<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/P-lE_OdTF8U?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Anju Singh (CAN) Titan (2025 World Premiere) for 9 Instruments<\/h3>\n<p>\u201cI\u2019m a musician, and I&#8217;ve been playing music my whole life,\u201d says Anju Singh. \u201cMy first live show was the Fred Penner show when I was six.\u201d She was in the children\u2019s choir that performed on Fred\u2019s show.<\/p>\n<p>Anju was playing the saxophone by age 8. \u201cI knew I&#8217;d be playing the saxophone forever.\u201d There was also guitar, piano, and school choir. It\u2019s a good background for a future composer. \u201cBeing on stage felt good.\u201d<\/p>\n<p>While performing remained her main focus, she began composing music for films. It made her wonder if perhaps that\u2019s where her talents really lay. As a multi-instrumentalist, she connected with a filmmaker for a specific project, one who happened to mention that playing multiple instruments was a kind of gateway to composing.<\/p>\n<p>\u201cI never thought it was possible,\u201d she says. \u201cInstead of me trying to play the instrument and killing myself, forcing myself to be better, I was better off what I can call playing musicians.\u201d<\/p>\n<p>\u201cI don&#8217;t think I\u2019m lazy \u2014 I just think I\u2019m not meant to be the person that practices everyday. It&#8217;s so much commitment,\u201d she explains. She notes that\u2019s it\u2019s essentially impossible to become a world class performer on multiple instruments.<\/p>\n<p>\u201cBut the challenges of composing, I find it easier to deal with.\u201d<\/p>\n<p>It led to a new path for her music, along with continuing her practice of buying and collecting as many instruments as she could. \u201cFor this piece that I&#8217;m presenting, I\u2019m writing for two instruments [that I haven\u2019t played before]. It was a huge challenge.\u201d<\/p>\n<p>She\u2019s pragmatic about her talent. \u201cI don&#8217;t think there&#8217;s anything special about me as an artist,\u201d she says. But, she believes she brings a different approach than the usual to a composer\u2019s showcase. \u201cI&#8217;m not trained in composition by school. I\u2019m really approaching this from a very self learning perspective.\u201d That\u2019s not to say it was a case of Google university. Anju trained directly with other composers. \u201cI&#8217;ve been working really hard at developing my composition practice.\u201d<\/p>\n<p>Traditionally, the role of composer has been seen as somewhat exalted, but Anju doesn\u2019t see her role as being elevated above anyone else\u2019s. \u201cOnce we start going down the path of believing that, I think we&#8217;re starting to develop an unhealthy relationship with what it means to make art.\u201d She adds, \u201cIt&#8217;s work. It&#8217;s commitment. Part of it is talent, but it only takes you so far.\u201d<\/p>\n<p>She\u2019s looking forward to the showcase concert, and the week long workshopping that precedes it. \u201cWhen I was accepted, I was really excited. Brian [Current] is an incredible composer.\u201d<\/p>\n<p>The piece she\u2019s composed for MAKEWAY is titled Titan, but her initial title was Monolith, which speaks to the music.<\/p>\n<p>\u201cIt&#8217;s about big, huge movements of sound moving together.\u201d Playing in various ensembles and groups over time, she was truck by the force of the sound that\u2019s created on stage. \u201cThe piece aims to create that.\u201d<\/p>\n<p>She counts other contemporary composers as inspiration. \u201cI&#8217;m super inspired by Penderecki.\u201d She cites his vocal and string music in particular. \u201cI was always fascinated by this,\u201d she adds. Other influences include G\u00e9rard Grisey and his Spectral Music, along with Italian composer Giacinto Francesco Maria Scelsi.<\/p>\n<p>\u201cHe does one note, but it&#8217;s not just one note,\u201d she explains.<\/p>\n<p>By using overtones, microtones, and more, one note becomes much more. Anju\u2019s family is Sikh, and the collective prayers that take place in a temple were also an inspiration. \u201cIt\u2019s a force,\u201d she describes, \u201cand it\u2019s really intense when you\u2019re a young child.\u201d The multiple voices are united in prayer, but there are microtones and slight imperfections that add dimensions to the sound.<\/p>\n<p>It led to her choice of instrumentation. \u201cFor the instrumentation I chose to include the harmonium and the Santoor.\u201d The harmonium, also called a reed organ, incorporates multiple tones and microtones. The Santoor is a traditional Sikh instrument, also known to produce microtones.<\/p>\n<p>Beyond its sonic capabilities, the idea of incorporating traditions into contemporary composition was also appealing. \u201cIt&#8217;s always trapped in this [traditional] context,\u201d she explains. \u201cWhat role can contemporary music give these traditional instruments? It&#8217;s really about giving these instruments and these players the opportunity to be represented on equal terms with Western instruments.\u201d<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/9p55aFd8Drc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Steven Webb (CAN\/ZAF) Feeling along&#8230; (2025 World Premiere) for 5 Instruments and Electronics<\/h3>\n<p>\u201cI\u2019ve always been a musician. I\u2019ve played piano my whole life \u2014 since I was five,\u201d says Steven Webb. He completed the Royal Conservatory curriculum.<\/p>\n<p>\u201cWhen I finished high school, I realized I wanted to [&#8230;] do it more seriously.\u201d That led to studies at the University of Manitoba.<\/p>\n<p>\u201cI became more and more fascinated with how music was put together,\u201d he explains. \u201cI think I was a little frustrated at the time, feeling like I wasn\u2019t creating, just recreating.\u201d<\/p>\n<p>He began with works for piano and voice, and worked with choirs. \u201cThat very quickly expanded.\u201d<\/p>\n<p>The next step was film music, which he pursued in Winnipeg. \u201cI worked as a film composer for a number of years.\u201d It led to a fascination for electronic music, and a Master\u2019s degree at the University of Toronto. \u201cI started exploring integrating electronics with instruments.\u201d He adds, \u201cMy output nowadays is very eclectic. I used to feel like that was a weakness in a way.\u201d Now, he realizes that the opposite is true, and that going in different directions circles back to a larger understanding of composition.<\/p>\n<p>The week long workshop that leads up to the composer showcase concert on May 2 was one of the big draws for him.<\/p>\n<p>\u201cIt was a really great opportunity,\u201d he says. \u201cIt allows for a more ambitious piece.\u201d He adds, \u201cSometimes, you only get a few hours of rehearsal before the performance.\u201d<\/p>\n<p>He describes the piece he\u2019s presenting, Feeling along&#8230; as a composition with a sense of theatricality, incorporating live electronics and projections. \u201cI describe my style as eclectic.\u201d He often uses elements from other artistic practices and technology in his work, such as coding, blending them together to see how they complement each other.<\/p>\n<p>\u201cI still have this love of melody and lyricism that can sometimes get lost in music that is experimental. I try to balance that,\u201d he says. \u201cExperimental lyricism.\u201d<\/p>\n<p>The professional Toronto musicians that NMC has assembled allow for a larger scope. \u201cIt was complex to put together. There\u2019s not many opportunities that come around to work with musicians like that.\u201d<\/p>\n<p>Having a choice of instrumentation also allowed him to enlarge his concept. \u201cThey encouraged us to think outside the Western sphere of instrumentation. It\u2019s such a blessing for a composer.\u201d<\/p>\n<p>His work incorporates diverse sounds, including viola, bamboo flute, Persian tar, and more.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/X6pssWXFtyQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Tsz Long (Fish) Yu (CAN\/HKG) Home\u300a\u5bb6\u300b(2025 World Premiere) for Erhu and Electronics<\/h3>\n<p>Tsz Long (Fish) Yu began his journey in music as a child in Hong Kong, where he grew up.<\/p>\n<p>\u201cI played in a wind band for 12 years in Hong Kong,\u201d Fish explains. He played French horn and trumpet.<\/p>\n<p>\u201cOne day, I heard a piece by Stravinsky. It\u2019s called the Rite of Spring,\u201d he laughs.<\/p>\n<p>He was intrigued by the music, enough so that he decided to pursue it in his education. He began composing at The Hong Kong Academy for Performing Arts, where he\u2019d eventually earn his Bachelor of Music in Composition &amp; Electronic Music. Four years ago, on graduation, he decided to continue his studies in Toronto, where he finished his Master of Music degree at the University of Toronto in Music Technology &amp; Digital Media with a full scholarship under The Hong Kong Scholarship for Excellence Scheme.<\/p>\n<p>He\u2019s now working on his Doctor of Musical Arts at the University of Toronto, majoring in Music Composition under the mentorship of Gary Kulesha and Christos Hatzis. Yu has also served as a Composer Fellow with The Hamilton Philharmonic Orchestra for their 2024\/25 season, and his piece Breath of Spring was <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2025\/02\/28\/scrutiny-hamilton-philharmonic-orchestras-intimate-immerssive-winning-model-new-music\/\" target=\"_blank\" rel=\"noopener\">premiered by the orchestra in February<\/a>.<\/p>\n<p>Fish says he wrote \u201cold school band music\u201d at first, but gradually expanded his compositional vocabulary. He\u2019s been influenced by various composers he\u2019s encountered along the way, including Toru Takemitsu. He was particularly interested in Takemitsu\u2019s Rain Tree compositions, which were written for various percussion instruments, and call for specific lighting effects.<\/p>\n<p>\u201cI was so surprised and so shocked,\u201d he says of the combination.<\/p>\n<p>It opened his eyes to the endless possibilities of contemporary music. \u201cI like to compose music for acoustics and electronics,\u201d he says.<\/p>\n<p>\u201cRight now, I\u2019m a composer, but a lot of what I\u2019m doing is media,\u201d he explains. His work includes producing shows, as well as video shooting and production. He\u2019s worked with several ensembles and organizations in Toronto, including The Happenstancers and percussion group K\u00f6NG Duo. He likes the diversity, and what he can learn from it.<\/p>\n<p>He often includes other multimedia elements into his work. When it comes to new music, multimedia elements often serve as another way for audiences to become immersed in, and understand, it.<\/p>\n<p>His piece\u300a\u5bb6\u300bincorporates several multimedia and even theatrical aspects. \u201cIt will involve some acting,\u201d he explains. He\u2019s working on the final touches of staging, including lighting.<\/p>\n<p>Yu also names British\/Japanese composer Dai Fujikura as an inspiration, in particular, his use of traditional Japanese instruments alongside period European instruments.<\/p>\n<p>\u201cIt\u2019s very exciting and engaging,\u201d he says of the combination. He\u2019s using an erhu, a traditional Chinese two-string instrument that is bowed, in his new work.<\/p>\n<h2>The Concert<\/h2>\n<p>The four World Premieres will be presented on May 2 with an ensemble of talented Toronto musicians that includes:<\/p>\n<ul>\n<li>Padideh Ahrarnejad \u2014 Tar<\/li>\n<li>Shreyas Ambikar \u2014 Santoor<\/li>\n<li>Amahl Arulanandam \u2014 Cello<\/li>\n<li>Patty Chan \u2014 Erhu<\/li>\n<li>Brad Cherwin \u2014 Bass Clarinet<\/li>\n<li>Jesse Dietschi \u2014 Bass<\/li>\n<li>Diane Doig \u2014 Horn<\/li>\n<li>Elias Doyle \u2014 Trumpet<\/li>\n<li>Sarah Fraser-Raff \u2014 Violin<\/li>\n<li>Nikki Huang \u2014 Percussion<\/li>\n<li>Clara Nguyen-Tran \u2014 Viola<\/li>\n<li>Clare Scholtz \u2014 Oboe<\/li>\n<li>Ryan Scott \u2014 Percussion<\/li>\n<li>Wesley Shen \u2014 Synth\/Harmonium\/Sho<\/li>\n<li>Dora Wang \u2014 Bamboo Flute<\/li>\n<\/ul>\n<p>Find out more about the MAKEWAY showcase on May 2, and get tickets, [<strong><a href=\"https:\/\/www.newmusicconcerts.com\/concert\/makeway\/\" target=\"_blank\" rel=\"noopener\">HERE<\/a><\/strong>].<\/p>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a\"><u>event<\/u><\/span><\/a>? 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