{"id":113549,"date":"2025-04-15T14:32:44","date_gmt":"2025-04-15T18:32:44","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=113549"},"modified":"2025-04-15T14:32:44","modified_gmt":"2025-04-15T18:32:44","slug":"preview-mississauga-symphony-celebrates-musical-legacy-luciano-pavarotti-april-26","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2025\/04\/15\/preview-mississauga-symphony-celebrates-musical-legacy-luciano-pavarotti-april-26\/","title":{"rendered":"PREVIEW | The Mississauga Symphony Celebrates The Musical Legacy Of Luciano Pavarotti April 26"},"content":{"rendered":"<figure id=\"attachment_113551\" aria-describedby=\"caption-attachment-113551\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-113551\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-PREVIEW-9.jpg\" alt=\"The Mississauga Symphony Orchestra with conductor Denis Mastromonaco (Photo courtesy of MSO)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-PREVIEW-9.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-PREVIEW-9-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-PREVIEW-9-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-PREVIEW-9-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-113551\" class=\"wp-caption-text\">The Mississauga Symphony Orchestra with conductor Denis Mastromonaco (Photo courtesy of MSO)<\/figcaption><\/figure>\n<p>The Mississauga Symphony Orchestra pays tribute to the late, great operatic tenor Luciano Pavarotti with a concert of the varied music that made up his career.<\/p>\n<p>Along with his stellar career in the field of opera, later in life, Pavarotti made the crossover into pop music, and became even more famous for his collaborations with various other artists.<\/p>\n<p>It\u2019s that varied legacy that the MSO and Music Director Denis Mastromonaco aim to bring to life. We spoke with Maestro Mastromonaco about the concert, and that rich history in music.<\/p>\n<h2>The Concert: Artists<\/h2>\n<p>An award-winning conductor, <strong>Denis Mastromonaco<\/strong>\u2019s background includes both orchestral music and opera, including prior engagements with Royal Opera Canada, the National Academy Orchestra and the State University of New York, where he taught conducting and worked with a number of ensembles.<\/p>\n<p>The concert features guest artists tenor Romulo Delgado, soprano Sara Papini, accordionist Carmen Spada, and the Mississauga Festival Choir.<\/p>\n<p>Operatic tenor <strong>Romulo Delgado<\/strong> keeps a busy performance schedule along with his other roles as composer, world music multi-instrumentalist, vocal coach, and adjudicator. He studied at the Royal Conservatory of Music, and became a regional finalist at the Hans Gabor Belvedere International Opera competition in Vienna, Austria. He&#8217;s since taken the stage across North America and Europe in a variety of roles, including Pinkerton in Puccini\u2019s Madama Butterfly, Alfredo in Verdi\u2019s La Traviata, Don Jose in Bizet\u2019s Carmen, The Duke of Mantua in Verdi\u2019s Rigoletto, and more, along with performing as a soloist in concert oratorios<\/p>\n<p>A graduate of the Mannes College of Music in New York City, soprano<strong> Sara Papini<\/strong> has frequently performed in New York City and in Toronto, in Italy, including on the Italian TV show I Raccomandati in Rome, in France and in Israel. Her operatic roles include both Mimi and Musetta in La Boheme, Adina in L&#8217;Elisir d&#8217;Amore, Norina in Don Pasquale, Gilda in Rigoletto, Contessa in Le nozze di Figaro, Donna Anna in Don Giovanni, Nedda in Pagliacci and Hannah Glawari in Merry Widow, among others.<\/p>\n<p>Pianist, accordionist, vocalist, composer, arranger, songwriter, and educator<strong> Carmen Spada<\/strong> is a graduate of the Berklee College of Music, where he earned a dual major in Piano Performance and Jazz Composition. Since graduation, he&#8217;s continued to establish performing roots in both the New England area and his native Toronto. In Canada, he&#8217;s performed at the National Arts Centre, Aeolian Hall, Rose Theatre, Living Arts Centre, Isabel Bader Theatre, Westben Theatre, among other prominent venues. While his specialties continue to be jazz and global music, he has established a firm niche in the crossover category.<\/p>\n<figure id=\"attachment_113552\" aria-describedby=\"caption-attachment-113552\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-113552\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-NEWS-5.jpg\" alt=\"L-R: Accordionist Carmen Spada; tenor Romulo Delgado; soprano Sara Papini (Photo courtesy of the artists)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-NEWS-5.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-NEWS-5-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-NEWS-5-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-NEWS-5-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-113552\" class=\"wp-caption-text\">L-R: Accordionist Carmen Spada; tenor Romulo Delgado; soprano Sara Papini (Photo courtesy of the artists)<\/figcaption><\/figure>\n<h3>The Music<\/h3>\n<p>The program includes both operatic arias and duets, and the iconic Neapolitan songs that Pavarotti also favoured in his recording and performing career.<\/p>\n<p>The program includes:<\/p>\n<ul>\n<li>Orchestra: Verdi&#8217;s Overture to La Forza del Destino &amp; Bizet&#8217;s Prelude from Carmen<\/li>\n<li>Chorus: Verdi&#8217;s Va Pensiero from Nabucco, and the Anvil Chorus from Il Torvatore<\/li>\n<li>Arias: Puccini&#8217;s Nessun Dorma from Turandot, E Luceven le Stelle from Tosca, and O Soave Fanciulla and Musetta\u2019s Waltz from La Boheme; and Verdi&#8217;s La Donna e Mobile from Rigoletto<\/li>\n<li>Neapolitan Songs: Caruso; O Sole Mio; Torna a Surriento; Funiculi Funicula<\/li>\n<\/ul>\n<h2>Denis Mastromonaco: The Interview<\/h2>\n<p>After a couple of seasons where MSO produced full operas, it\u2019s a switch back to where they began. \u201cThis year, we\u2019ve gone back to [&#8230;] an opera highlights format,\u201d says MSO Music Director Denis Mastromonaco. \u201cIt\u2019s the 90th anniversary of what would have been Pavarotti\u2019s birthday.\u201d<\/p>\n<p>An opera highlights program has variety built into the concept, but in this case, it\u2019s about bringing Pavarotti\u2019s own music to life.<\/p>\n<p>\u201cIn this format, just basing it on how Pavarotti used to do things \u2014 he was famous for his arias, but also his crossover,\u201d Mastromonaco notes.<\/p>\n<p>As he explains, the challenge in putting together a tribute like this one lies in finding a tenor who can sing all of Pavarotti\u2019s repertoire. The big hits, the arias, require a certain kind of voice and presence. \u201cTypically, a tenor or a spinto tenor would sing one of those, but not all of them,\u201d he explains. \u201cAnd then, the crossover, someone who can sing that&#8230;\u201d he continues. He\u2019s worked with Romulo several times over the past few years. \u201cHe is that tenor who can sing all that. With Romulo, someone who is capable of doing that, it\u2019s a natural,\u201d he adds.<\/p>\n<p>\u201cRomulo is our acting Pavarotti.\u201d<\/p>\n<p>Sara Papini adds the dimension of Pavarotti\u2019s notable duets and other operatic works. \u201cAnd we have an accordionist coming in for some of the traditional Neapolitan favourites.\u201d<\/p>\n<p>Sara Papini has also worked with Denis and MSO before. \u201cShe was my Micaela in our first production of Carmen. She\u2019s a delight to work with.\u201d It was important to find a strong singer who wouldn\u2019t be overshadowed by the Pavarotti fireworks. \u201cThat\u2019s really important \u2013 balance,\u201d he says.<\/p>\n<p>Pacing the program is another important issue. \u201cThe big arias are never back to back.\u201d Spacing out the larger works allows the audience to appreciate them all in the right context.<\/p>\n<p>The extra attention to programming is worth the effort. \u201cIt\u2019s something that I\u2019ve brought to Mississauga \u2014 I\u2019m a fan of opera,\u201d Mastromonaco says. As he notes, opera programming fills a void in Mississauga, where there is no permanent opera company per se.<\/p>\n<p>If you\u2019re a Pavarotti fan, it\u2019s an unusual opportunity to hear his top ten hits all in one program. But, in the end, you don\u2019t have to be a Pavarotti aficionado to appreciate the concert or the music.<\/p>\n<p>\u201cThis is just that chance to see some incredibly fine singers,\u201d Mastromonaco says. On top of the talent on stage, there is the venue itself. \u201cVery often, when you get into opera, can the hall handle it?\u201d he notes. The Living Arts Centre\u2019s acoustics have been widely praised.<\/p>\n<p>\u201cIt\u2019s a great hall to perform in.\u201d<\/p>\n<ul>\n<li>Find more details about the April 26 concert [<strong><a href=\"https:\/\/www.mississaugasymphony.ca\/concerts\/pavarotti-tribute\/\" target=\"_blank\" rel=\"noopener\">HERE<\/a><\/strong>].<\/li>\n<\/ul>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a;\"><u>event<\/u><\/span><\/a>? 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