{"id":113346,"date":"2025-04-08T13:19:47","date_gmt":"2025-04-08T17:19:47","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=113346"},"modified":"2025-04-08T14:55:17","modified_gmt":"2025-04-08T18:55:17","slug":"interview-violinist-randall-goosby-talks-finding-calling-child-upcoming-toronto-gig","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2025\/04\/08\/interview-violinist-randall-goosby-talks-finding-calling-child-upcoming-toronto-gig\/","title":{"rendered":"INTERVIEW | Violinist Randall Goosby Talks About Finding His Calling As A Child And His Upcoming Toronto Gig"},"content":{"rendered":"<figure id=\"attachment_113348\" aria-describedby=\"caption-attachment-113348\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-113348\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-INTERVIEW-4.jpg\" alt=\"Violinist Randall Goosby (Photo: Kaupo Kikkas)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-INTERVIEW-4.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-INTERVIEW-4-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-INTERVIEW-4-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-INTERVIEW-4-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-113348\" class=\"wp-caption-text\">Violinist Randall Goosby (Photo: Kaupo Kikkas)<\/figcaption><\/figure>\n<p>Violinist Randall Goosby will be performing a recital at Toronto\u2019s Koerner Hall with pianist Zhu Wang on April 23. The recital tour of North America and beyond fits in between Goosby\u2019s performances as an orchestral soloist.<\/p>\n<p>They\u2019ll be bringing an interesting program of music that spans a couple of centuries of music.<\/p>\n<p>We spoke to Randall about the violin, and the music he\u2019ll be performing.<\/p>\n<h2>Randall Goosby, violin<\/h2>\n<p>Goosby&#8217;s talent showed itself early, and he began studying the violin at the age of 7. At 9, he made his orchestral debut with the Jacksonville Symphony, and at 13, he performed with the New York Philharmonic in a Young People&#8217;s Concert.<\/p>\n<p>From there, he went on to study at the Juilliard School&#8217;s Pre-College program with a full scholarship. He earned a Bachelor of Music studying with Itzhak Perlman and Catherine Cho, followed by a Master of Music from the Juilliard School of Music on a Kovner Fellowship, and then an Artist Diploma in 2022.<\/p>\n<p>He was signed to an exclusive contract with Decca Records in 2020 at the age of 24 while still a student.<\/p>\n<p>Highlights of his 2024\/25 season include performances with the Chicago Symphony, Minnesota Orchestra, National Arts Centre Orchestra in Ottawa, the Orchestre symphonique de Montr\u00e9al, and Netherlands Radio Philharmonic, and a tour with the London Philharmonic through the United States. His recital tour with pianist Zhu Wang has interspersed his orchestral concert schedule, with appearances in the US, Germany, and the Netherlands along with his Toronto date.<\/p>\n<p>An avid chamber musician, Randall has spent his summers performing at the Perlman Music Program (which he is a graduate of), the Verbier Festival Academy, and Mozarteum Summer Academy, among others. He\u2019s also taken the time to give back to the community, and has been involved with the Opportunity Music Project and Concerts in Motion in New York City.<\/p>\n<p>Randall performs on the 1708 &#8220;Strauss&#8221; Stradivarius, on loan from the Samsung Foundation of Culture in Korea.<\/p>\n<figure id=\"attachment_113349\" aria-describedby=\"caption-attachment-113349\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-113349\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-NEWS-4.jpg\" alt=\"Violinist Randall Goosby (Photo: Ollie Ali)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-NEWS-4.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-NEWS-4-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-NEWS-4-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Copy-of-NEWS-4-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-113349\" class=\"wp-caption-text\">Violinist Randall Goosby (Photo: Ollie Ali)<\/figcaption><\/figure>\n<h3>Randall Goosby: The Interview<\/h3>\n<p>Why the violin?<\/p>\n<p>\u201cIt\u2019s an interesting question,\u201d Randall says. \u201cMy Mom basically implored myself and my younger siblings to play an instrument,\u201d he recalls. \u201cI was six years old. I chose the violin.\u201d<\/p>\n<p>His mother was delighted, but not so sure of the next step \u2014 how to get an instrument he could play as a child. They found a local music store with a helpful owner.<\/p>\n<p>\u201cHe said, you know your son is quite young, and his hands are small,\u201d says Goosby. The music store owner\u2019s theory was that violin was especially difficult for small hands, leading to many kids quitting too soon. He suggested beginning with the piano.<\/p>\n<p>So, Goosby began with the piano, but it was problematic.<\/p>\n<p>\u201cI didn\u2019t take super well to it.\u201d<\/p>\n<p>According to his Mom\u2019s recollection, his interest in learning music quickly began to fade, but was quickly regained when he finally got a violin in his hands.<\/p>\n<p>\u201cMy hunger for learning the violin had an opportunity to grow,\u201d he reflects of the delay. It built up his enthusiasm. \u201cI don\u2019t think I considered any amount of playing to be practice,\u201d he says. That spirit continued for years. \u201cI would come home and throw open the case and play.\u201d<\/p>\n<p>While the choice of a small child may seem random, in this case, it was intuitive.<\/p>\n<p>\u201cIn some ways I think it chose me.\u201d<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/uCuFwdUJ-Pw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Opening Up Classical Repertoire<\/h3>\n<p>Goosby has made it part of his musical practice to incorporate the work of historically neglected composers. What does it mean to highlight the work of these under-represented artists?<\/p>\n<p>\u201cWell it means a number of different things,\u201d he explains. \u201cIt certainly relates to programming.\u201d<\/p>\n<p>While the usual catalogue of classical music works drawn from the centuries seems vast, it doesn\u2019t take much study to realize how narrow a view the classical canon represents. It\u2019s not a matter of throwing all that out the window. As Goosby points out, those iconic works and composers are still alive for a good reason.<\/p>\n<p>\u201cThere\u2019s a reason they\u2019re still revered,\u201d he says. \u201cI think there\u2019s always going to be a place for those works.\u201d<\/p>\n<p>Adding the work of other composers doesn\u2019t take away from that; it creates an environment that\u2019s more appealing to listeners of different backgrounds and cultures.<\/p>\n<p>\u201cI was raised and trained in very traditional [repertoire],\u201d he says. \u201cI didn\u2019t even know composers could be non-white until high school.\u201d Goosby credits his involvement with The Sphinx Organization, which looks to make classical music more accessible to Black and Latino communities, with broadening his horizons.<\/p>\n<p>\u201cWith the help of the Sphinx organization, I became aware that composers could really be anyone,\u201d he says.<\/p>\n<p>He would become the youngest recipient ever to win the Sphinx Concerto Competition, which led to a number of key opportunities. Along with those, he became more and more convinced of the value of including as many musical sound worlds and landscapes, and as many stories, as possible into his music practice.<\/p>\n<p>\u201cI\u2019m very passionate about music education.\u201d Sharing not only the music, but the idea of a musical career and music education, particularly to under-serviced communities, can change lives. He\u2019s living proof.<\/p>\n<p>When he has a little extra time to squeeze into his busy performing schedule, he reaches out to local schools and institutions to offer to play.<\/p>\n<p>\u201cTo make people aware of what I do and why I do it,\u201d he says, \u201cto spread the love and the joy of music.\u201d<\/p>\n<figure id=\"attachment_113350\" aria-describedby=\"caption-attachment-113350\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-113350\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Randall-Goosby-2-\u00a9-Jeremy-Mitchell.jpg\" alt=\"Violinist Randall Goosby (Photo: Jeremy Mitchell)\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Randall-Goosby-2-\u00a9-Jeremy-Mitchell.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Randall-Goosby-2-\u00a9-Jeremy-Mitchell-300x200.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Randall-Goosby-2-\u00a9-Jeremy-Mitchell-1024x683.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/04\/Randall-Goosby-2-\u00a9-Jeremy-Mitchell-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-113350\" class=\"wp-caption-text\">Violinist Randall Goosby (Photo: Jeremy Mitchell)<\/figcaption><\/figure>\n<h3>The Toronto Recital<\/h3>\n<p>The program for his Toronto recital includes:<\/p>\n<ul>\n<li>Joseph Bologne, Chevalier de Saint-Georges: Allegro and Rondo gracioso from Violin Sonata No. 3 in G Minor, op. 1a<\/li>\n<li>Gabriel Faur\u00e9: Sonata No. 1 in A Major, op. 13<\/li>\n<li>Ernest Chausson: Po\u00e8me, op. 25<\/li>\n<li>Franz Schubert: Rondeau brilliant in B Minor, D. 895<\/li>\n<\/ul>\n<p>\u201cIt starts with a very early sonata of the Chevalier de Saint-Georges,\u201d he notes.<\/p>\n<p>Bologne\u2019s Opus 1 was completed when he was still quite young, as Goosby points out. He was still finding his voice as a composer, and the piece has a similar feel to early Mozart sonatas. The violin, perhaps surprisingly, has a supplemental rather than starring role.<\/p>\n<p>\u201cWe start there and move through the evolution of classical style, and also French style,\u201d Goosby explains of the program. \u201cAfter that we jump forward about a hundred years to the very beautiful sonata by Gabriel Faur\u00e9.<\/p>\n<p>In contrast with the Chevalier de Saint-Georges, whose talent was recognized early, Faur\u00e9 was in his 30s when he wrote his Sonata No. 1 at the request of a good friend. Zhu Wang and Randall are also great friends.<\/p>\n<p>\u201cWe\u2019ve been friends and collaborators for five years now.\u201d<\/p>\n<p>Despite the century in between them, he says Faur\u00e9\u2019s sound world is \u201cnot too far removed\u201d from Bologne\u2019s.<\/p>\n<p>\u201cAfter Faur\u00e9, we stay in France.\u201d<\/p>\n<p>Ernest Chausson was born into a wealthy family, and studied law to please his family. He was appointed a barrister, but his heart was drawn to the arts.<\/p>\n<p>\u201cIt\u2019s probably his best known work,\u201d Goosby comments of his Po\u00e8me, op. 25. \u201cIts very interesting to think that someone back then would take a really hard pivot and say, I want to go into music.\u201d<\/p>\n<p>The piece was written for superstar violinist Eug\u00e8ne Ysa\u00ffe, who\u2019d actually requested a concerto, but Chausson didn\u2019t feel up to the longer work.<\/p>\n<p>\u201cIt\u2019s pretty overtly programmatic,\u201d Goosby explains.<\/p>\n<p>The poem in question is The Song of Love Triumphant by Ivan S. Turgenev. \u201cIt\u2019s a fairly dark subject matter.\u201d The poem talks about a love triangle gone wrong, in essence. \u201cIf you read the book first, it will add to thematic [appeal],\u201d he says. \u201cIt really changed my perception of the piece.\u201d<\/p>\n<p>Musically, it\u2019s quite demanding. \u201cThe music really highlights every possible range of the violin,\u201d he adds.<\/p>\n<p>\u201cI would almost say these two French works are farther apart than the two that open the program.\u201d<\/p>\n<p>To complete the program, he turns to the late, late Classical era.<\/p>\n<p>\u201cWe have Franz Schubert.\u201d<\/p>\n<p>The program opens with the Chevalier\u2019s earliest work, then two that stem from the middle ground of the artist\u2019s compositional life. Schubert\u2019s piece, as Goosby points out, was written just a few short years before his death.<\/p>\n<p>\u201cThere was something that drew him back to this instrumentation,\u201d he says. \u201cIt has an extremely intense, dark, stormy introduction.\u201d That gives way to a completely different mood. \u201cIt\u2019s full of surprises at every turn [&#8230;] from the clouds to the dirt. It\u2019s an incredibly dynamic work.\u201d<\/p>\n<p>It\u2019s a logical and appealing finish to the program.<\/p>\n<p>\u201cIt\u2019s a fun and in some ways lighthearted way to wrap up the concert.\u201d<\/p>\n<p>As someone who spends the majority of his time as a soloist, he appreciates the opportunities a recital offers. \u201cIt\u2019s not often that I get the chance to perform these works. The more music, the merrier.\u201d<\/p>\n<p>Chamber music, without a conductor, is also a different experience for the musicians.<\/p>\n<p>\u201cI think it leaves a lot of room for spontaneity,\u201d he says.<\/p>\n<p>\u201cIt\u2019s a healthy kind of volatility.\u201d<\/p>\n<ul>\n<li>Find more details and tickets for his recital with pianist Zhu Wang on April 23 at Koerner Hall [<strong><a href=\"https:\/\/www.rcmusic.com\/events-and-performances\/randall-goosby-with-zhu-wang\" target=\"_blank\" rel=\"noopener\">HERE<\/a><\/strong>].<\/li>\n<\/ul>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a;\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? 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