{"id":112871,"date":"2025-03-21T11:12:16","date_gmt":"2025-03-21T15:12:16","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=112871"},"modified":"2025-03-21T11:12:16","modified_gmt":"2025-03-21T15:12:16","slug":"scrutiny-glenn-gould-school-spring-opera-presents-sparkling-die-zauberflote","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2025\/03\/21\/scrutiny-glenn-gould-school-spring-opera-presents-sparkling-die-zauberflote\/","title":{"rendered":"SCRUTINY | Glenn Gould School Spring Opera Presents A Sparkling Die Zauberfl\u00f6te"},"content":{"rendered":"<figure id=\"attachment_112874\" aria-describedby=\"caption-attachment-112874\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-112874\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Copy-of-REVIEW-2025-03-21T110833.759.jpg\" alt=\"Left to Right: Rayn Jandos, Jeffrey Liu, Callum Aldworth, Tyler Prince, Audrey Franssen Keenan, Mich\u00e8le Barker in the Glenn Gould School Spring Opera: Mozart\u2019s Die Zauberfl\u00f6te (Photo: Michael Cooper)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Copy-of-REVIEW-2025-03-21T110833.759.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Copy-of-REVIEW-2025-03-21T110833.759-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Copy-of-REVIEW-2025-03-21T110833.759-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Copy-of-REVIEW-2025-03-21T110833.759-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-112874\" class=\"wp-caption-text\">Left to Right: Rayn Jandos, Jeffrey Liu, Callum Aldworth, Tyler Prince, Audrey Franssen Keenan, Mich\u00e8le Barker in the Glenn Gould School Spring Opera: Mozart\u2019s Die Zauberfl\u00f6te (Photo: Michael Cooper)<\/figcaption><\/figure>\n<p><em><strong>Glenn Gould School Spring Opera \u2014 Mozart: Die Zauberfl\u00f6te. Elias Theocharidis (Tamino), Olivia Morton (Pamina), Gennady Grebenchuk (Papageno), McKenzie Warriner (Queen of the Night), Matthew Li (Sarastro), Jeffrey Liu (Monostatos), Julia Kennific (Papagena), Emma Pennell (First Lady), Charlotte Anderson (Second Lady), Jessica Lyublinsky (Third Lady), Nora Jane Montana (First Spirit), Meghan Linnington (Second Spirit), Marie Concei\u00e7ao (Third Spirit), Nicholas Kluftinger (First Armed Guard), Tyler Prince (Second Armed Guard) \/ Allison Grant, Director \/ Royal Conservatory Orchestra, Jennifer Tung, conductor. Koerner Hall, March 19, 2025. Repeats on March 21; tickets <a href=\"https:\/\/www.rcmusic.com\/events-and-performances\/the-glenn-gould-school-spring-opera-(5)\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/strong><\/em><\/p>\n<p>Following the hugely successful, sold-out performances last November of its double-bill operatic offering of L\u2019enfant et les sortil\u00e8ges and L\u2019enfant prodigue, the Glenn Gould School Spring Opera currently on offer is the beloved Mozart masterpiece, Die Zauberfl\u00f6te. It\u2019s limited to only two performances. It opened on March 19, with the last show on March 21.<\/p>\n<p>Instead of staging it in the intimate, 237-seat Mazzoleni Hall, which was the venue for the double-bill last November, Die Zauberfl\u00f6te is staged in the more spacious, 1,135-seat Koerner Hall, with its state-of-the-art technical equipment, allowing for a more elaborate production. I am told that both performances are completely sold out, although it doesn\u2019t hurt to contact the box office for possible returns.<\/p>\n<p>It should come as no surprise that this Mozart opera would be a hot ticket. According to the Operabase website, Die Zauberfl\u00f6te is the second most popular opera in the world based on the number of performances, which stands at 21,352 worldwide since 1996. It beats out such warhorses as Carmen (19,405) and La Boheme (18,948), in third and fourth place respectively.<\/p>\n<p>Given that Koerner Hall is not an opera house, substantial adaptations in the staging are needed. Instead of fixed sets, designer <strong>Kim Sue Bartnik<\/strong> uses small props to be carried on and off stage by supernumeraries. Very effective are the large blank canvases upstage, on which various images are projected according to the dramatic situations. The lighting by <strong>Jason Hand<\/strong> and the use of recorded sound are very effective in creating the right atmosphere. I joked that the thunder and lightning as executed on opening night were startling enough to strike fear of God into the hearts of the audience!<\/p>\n<figure id=\"attachment_112876\" aria-describedby=\"caption-attachment-112876\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-112876 size-full\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/2025-DRESS-Magic-Flute_Die-Zauberflote-2385-R2.jpg\" alt=\"Left to Right: Charlotte Anderson, McKenzie Warriner, Jessica Lyublinsky, Jeffrey Liu &amp; Emma Pennell in the Glenn Gould School Spring Opera: Mozart\u2019s Die Zauberfl\u00f6te (Photo: Michael Cooper)\" width=\"1200\" height=\"737\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/2025-DRESS-Magic-Flute_Die-Zauberflote-2385-R2.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/2025-DRESS-Magic-Flute_Die-Zauberflote-2385-R2-300x184.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/2025-DRESS-Magic-Flute_Die-Zauberflote-2385-R2-1024x629.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/2025-DRESS-Magic-Flute_Die-Zauberflote-2385-R2-768x472.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-112876\" class=\"wp-caption-text\">Left to Right: Charlotte Anderson, McKenzie Warriner, Jessica Lyublinsky, Jeffrey Liu &amp; Emma Pennell in the Glenn Gould School Spring Opera: Mozart\u2019s Die Zauberfl\u00f6te (Photo: Michael Cooper)\u00a0<\/figcaption><\/figure>\n<h3>The Performance<\/h3>\n<p>Die Zauberfl\u00f6te requires a huge cast, and the GGS singers were fully up to the task. The principals all have fine voices, to be sure. As Tamino, <strong>Elias Theocharidis<\/strong>\u2019s large spinto tenor and heart-on-sleeve acting made a strong impression. Soprano <strong>Olivia Morton<\/strong> (Pamina) sang a beautiful \u201cAch, ich f\u00fchl&#8217;s,\u201d marked by silvery tone and lovely high piano. Also excellent was coloratura soprano <strong>McKenzie Warriner<\/strong> who stratospheric top notes in \u201cDer H\u00f6lle Rache\u201d earned her the biggest ovation of the evening.<\/p>\n<p>As Papageno, baritone <strong>Gennady Grebenchuk<\/strong> injected the requisite humour into the proceedings, and his scene with Papagena (soprano <strong>Julia Kennific<\/strong>) was fun. Bass <strong>Matthew Li<\/strong> was a youthful sounding Sarastro, who also happened to have the most eye-catching costume of the evening, designed by <strong>Alex Amini<\/strong>.<\/p>\n<p>The opera was sung in German, with some cuts and modifications to the voluminous spoken dialogue. However, what remained was still substantial for a non-German speaking cast. Kudos to the German diction coach.<\/p>\n<figure id=\"attachment_112877\" aria-describedby=\"caption-attachment-112877\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-112877\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/2025-DRESS-Magic-Flute_Die-Zauberflote-1278.jpg\" alt=\"Left to Right: Meghan Linnington, Elias Theocharidis, Marie Concei\u00e7\u00e3o, Nora Jane Montana in the Glenn Gould School Spring Opera: Mozart\u2019s Die Zauberfl\u00f6te (Photo: Michael Cooper)\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/2025-DRESS-Magic-Flute_Die-Zauberflote-1278.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/2025-DRESS-Magic-Flute_Die-Zauberflote-1278-300x200.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/2025-DRESS-Magic-Flute_Die-Zauberflote-1278-1024x683.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/2025-DRESS-Magic-Flute_Die-Zauberflote-1278-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-112877\" class=\"wp-caption-text\">Left to Right: Meghan Linnington, Elias Theocharidis, Marie Concei\u00e7\u00e3o, Nora Jane Montana in the Glenn Gould School Spring Opera: Mozart\u2019s Die Zauberfl\u00f6te (Photo: Michael Cooper)<\/figcaption><\/figure>\n<h3>Final Thoughts<\/h3>\n<p>Through it all, the singers were beautifully supported by the excellent RCM Orchestra under debuting conductor <strong>Jennifer Tung<\/strong>. Die Zauberfl\u00f6te is a complex show to stage, especially when it comes to scenes like the trials by fire and water, given the physical limitations of Koerner Hall.<\/p>\n<p>Director <strong>Allison Grant<\/strong> did it as well as can be expected. Moreover, the lack of a chorus meant that the scenes involving Sarastro, the temple, and all the inherent Masonic references lacked the requisite solemnity.<\/p>\n<p>I was also puzzled by the stage action in the first few minutes of the overture, which honestly left me scratching my head. It was only afterwards when I read the director\u2019s notes that I realized it was an obscure reference to the theme of family dysfunction linking all three GGS operas this year. Well, I wonder how many in the audience figured this one out! Never mind, for me the greatest pleasure of Die Zauberfl\u00f6te is in the music, and we audience members got it in spades.<\/p>\n<p>All in all, a very satisfying evening at the opera.<\/p>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a;\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? Need to know the best\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/events\/\" target=\"_blank\" rel=\"noopener\"><u>events<\/u><\/a>\u00a0happening this weekend? Send us a\u00a0<\/em><\/strong><a href=\"mailto:anya@ludwig-van.com?subject=Let's%20chat\" target=\"_blank\" rel=\"noopener\"><strong><em><u>note<\/u>.<\/em><\/strong><br \/>\n<\/a><\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig Van Toronto e-Blast! \u2014 local classical music and opera news straight to your inbox <\/em><a href=\"https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid=S3HHYfHY5rZv5f94S15MnA\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid%3DS3HHYfHY5rZv5f94S15MnA&amp;source=gmail&amp;ust=1695737525351000&amp;usg=AOvVaw0QTqKRwRJQFGK3KoJYigxX\">HERE<\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>The Glenn Gould School Spring Opera currently on offer is the beloved Mozart masterpiece, Die Zauberfl\u00f6te, in a lively production with a talented cast.<\/p>\n","protected":false},"author":22,"featured_media":112874,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[41660,43,52,63],"tags":[41830,41831,40822,41832,40352,40841,41829,6009],"yst_prominent_words":[22249,9021,9057,9059,6606,6886],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Copy-of-REVIEW-2025-03-21T110833.759.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-tmv","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/112871"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=112871"}],"version-history":[{"count":3,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/112871\/revisions"}],"predecessor-version":[{"id":112878,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/112871\/revisions\/112878"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/112874"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=112871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=112871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=112871"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=112871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}