{"id":112592,"date":"2025-03-12T12:46:30","date_gmt":"2025-03-12T16:46:30","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=112592"},"modified":"2025-03-20T13:34:15","modified_gmt":"2025-03-20T17:34:15","slug":"preview-les-arts-florissants-return-to-toronto-with-violinist-theotime-langlois-de-swart-to-celebrate-vivaldis-four-seasons-300","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2025\/03\/12\/preview-les-arts-florissants-return-to-toronto-with-violinist-theotime-langlois-de-swart-to-celebrate-vivaldis-four-seasons-300\/","title":{"rendered":"PREVIEW | Les Arts Florissants Return To Toronto With Violinist Th\u00e9otime Langlois de Swart To Celebrate Vivaldi\u2019s Four Seasons 300"},"content":{"rendered":"<figure id=\"attachment_112595\" aria-describedby=\"caption-attachment-112595\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-112595\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Copy-of-PREVIEW-2025-03-12T124046.435.jpg\" alt=\"Baroque ensemble Les Arts Florissants with violinist Th\u00e9otime Langlois de Swarte (centre) (Photo courtesy of the artists)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Copy-of-PREVIEW-2025-03-12T124046.435.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Copy-of-PREVIEW-2025-03-12T124046.435-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Copy-of-PREVIEW-2025-03-12T124046.435-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Copy-of-PREVIEW-2025-03-12T124046.435-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-112595\" class=\"wp-caption-text\">Baroque ensemble Les Arts Florissants with violinist Th\u00e9otime Langlois de Swarte (centre) (Photo courtesy of the artists)<\/figcaption><\/figure>\n<p>French Baroque specialists Les Arts Florissants will be celebrating the 300th anniversary of Vivaldi\u2019s Four Seasons with performance, marking the work\u2019s original publication in 1725. Violinist Th\u00e9otime Langlois de Swarte will join the ensemble for a Toronto concert on March 29.<\/p>\n<p>De Swarte is a fast rising violinist with a passion for Baroque repertoire. He\u2019s performed with ensembles in Europe and Australia, and on stages from Carnegie Hall to the Shanghai National Art Centre. A graduate of the Paris Conservatory, he became a regular member of Les Arts Florissants in 2014, while he was still a student.<\/p>\n<h3>The Program<\/h3>\n<p>The full program is a rich mix of Italian Baroque, with an emphasis on Vivaldi;<\/p>\n<ul>\n<li>Claudio Monteverdi: Adoramus te, SV 289 (transcription)<\/li>\n<li>Antonio Vivaldi: Concerto madrigalesco, for strings and basso continuo in D Minor, RV129<\/li>\n<li>Marco Uccellini: Bergamasca<\/li>\n<li>Antonio Vivaldi: Violin Concerto in D Minor, RV 813<\/li>\n<li>Francesco Geminiani: Concerto Grosso No. 12 in D Minor (\u201cLa Follia\u201d) (after Corelli)<\/li>\n<li>Antonio Vivaldi: Concerto in E Major, op. 8, no. 1, \u201cSpring\u201d from The Four Seasons, RV 269<\/li>\n<li>Antonio Vivaldi: Concerto in G Minor, op. 8, no. 2, \u201cSummer\u201d from The Four Seasons, RV 315<\/li>\n<li>Antonio Vivaldi: Overture to La fida ninfa, FV 714<\/li>\n<li>Antonio Vivaldi: Concerto in F Major, op. 8, no. 3, \u201cAutumn\u201d from The Four Seasons, RV 293<\/li>\n<li>Antonio Vivaldi: Grave from Violin Concerto in B flat Major, RV 370<\/li>\n<li>Antonio Vivaldi: Concerto in F Minor, op. 8, no. 4, Winter\u201d from The Four Seasons, RV 297<\/li>\n<\/ul>\n<p>Les Arts Florissants has been celebrating Baroque and other classical music for four decades. Currently the ensemble in residence at the Philharmonie de Paris and in the Vend\u00e9e, France, the ensemble was founded by conductor William Christie in 1979.<\/p>\n<p>Its name comes from an opera by Marc-Antoine Charpentier, written in 1685 with the same title. With a chamber orchestra and small core of vocalists, Les Arts Florissants have become famous for their period operas, including a landmark performance of Lully\u2019s Atys in Paris \u2014 the first time the work had been performed since 1753. Specializing in rarely heard repertoire, Atys is just one of multiple works the ensemble has rediscovered and performed.<\/p>\n<p>We spoke to violinist and concertmaster <strong>Augusta McKay Lodge<\/strong> (AML) about the ensemble, the music, and their Toronto appearance.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/gge5-3OKKS4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Augusta McKay Lodge : Les Arts Florissants<\/h3>\n<p><strong>LvT:<\/strong> What is it about baroque music that still inspires both musicians and audiences in the present day?<\/p>\n<p><strong>AML:<\/strong> One of the wonderful aspects of baroque music, and specifically of historical performance, is the idea of recreating the past while simultaneously inspiring a new, fresh energy. I think that is something that really draws people in. Baroque music is very much centered on dance and rhetoric, and also the intimacy of chamber music. Everyone on stage has a voice, which feels so important and relevant in this day and age! This is inherent to the music but also to the approach we bring as historical performers. So it is equally exciting for the musicians as for the audience, and I think everyone can feel that. It\u2019s a big dance party!<\/p>\n<p><strong>LvT:<\/strong> Likewise, what makes Vivaldi\u2019s Four Seasons so appealing 300 years after it was composed?<\/p>\n<p><strong>AML:<\/strong> It is exciting, fun music! It doesn\u2019t matter whether you are a baroque nerd or completely new to classical music, there\u2019s no way you won\u2019t be tapping your toes during the Four Seasons.<\/p>\n<p>The Four Seasons were published alongside a set of Sonnets, written into the music, which indicate the story behind the music (depicting bird song, the flow of rivers, wind, storms, the chattering of teeth in the cold winter, etc). It\u2019s really fun to read these alongside the music and to see to what extent the music is programmatic.<\/p>\n<p>The Seasons are wonderfully virtuosic for the solo violin, combining the beautiful and scenic story-telling with a fiery virtuosity as the soloist leaps and scurries all over the instrument. It\u2019s always exciting to see how a performer embraces the challenges and exciting virtuosic passages.<\/p>\n<p>This is exceptional music, which just comes to life when it is played and jumps off the page. You can really imagine you\u2019re in 18th century Venice in the summer heat!<\/p>\n<figure id=\"attachment_112596\" aria-describedby=\"caption-attachment-112596\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-112596\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Theotime-Langlois-de-Swarte42.jpeg\" alt=\"Violinist Theotime de Langlois de Swarte (Photo: Marco Borggreve for Jumpstart foundation)\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Theotime-Langlois-de-Swarte42.jpeg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Theotime-Langlois-de-Swarte42-300x200.jpeg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Theotime-Langlois-de-Swarte42-1024x683.jpeg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Theotime-Langlois-de-Swarte42-768x512.jpeg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-112596\" class=\"wp-caption-text\">Violinist Theotime de Langlois de Swarte (Photo: Marco Borggreve for Jumpstart foundation)<\/figcaption><\/figure>\n<p><strong>LvT:<\/strong> Violinist Th\u00e9otime Langlois de Swarte will be the soloist. What qualities does he bring to the music as a performer?<\/p>\n<p><strong>AML:<\/strong> Th\u00e9otime is larger than life \u2014 you feel his presence the moment he enters the room. And you can definitely feel that sizzling energy when he picks up his violin! This is very exciting to work with. He is someone who knows how to have a lot of fun, is always extremely positive and energetic, but is also a very serious musician. We share a lot of laughs during the rehearsal process but he is always extremely attuned to every detail of the work. His ears extend far beyond his solo line\u2014 he hears every nuance, every sound, every articulation of the orchestra. This is such an important quality in his leadership. On stage, he brings an incredible vibrancy to the music that the audience feels immediately, with his wonderful virtuosity of course, but also with his skilled and youthful musicianship.<\/p>\n<p>He\u2019s a very generous performer\u2026 you feel immediately that he wants to share the music and the experience with you.<\/p>\n<p><strong>LvT:<\/strong> As a company that tours regularly, are there differences between European and North American audiences when it comes to how your concerts are received?<\/p>\n<p><strong>AML:<\/strong> Les Arts Florissants has always held a tremendous rapport with their audiences, passionately cultivated by directors William Christie and Paul Agnew. Every audience is different, and every audience is a wonderful audience! We are so excited to perform for you and we just hope you enjoy it.<\/p>\n<ul>\n<li>Find tickets and more details about their March 29 Toronto concert [<strong><a href=\"https:\/\/www.rcmusic.com\/events-and-performances\/les-arts-florissants-with-theotime-langlois-de-swa\" target=\"_blank\" rel=\"noopener\">HERE<\/a><\/strong>].<\/li>\n<\/ul>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a;\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? Need to know the best\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/events\/\" target=\"_blank\" rel=\"noopener\"><u>events<\/u><\/a>\u00a0happening this weekend? Send us a\u00a0<\/em><\/strong><a href=\"mailto:anya@ludwig-van.com?subject=Let's%20chat\" target=\"_blank\" rel=\"noopener\"><strong><em><u>note<\/u>.<\/em><\/strong><br \/>\n<\/a><\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig Van Toronto e-Blast! \u2014 local classical music and opera news straight to your inbox <\/em><a href=\"https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid=S3HHYfHY5rZv5f94S15MnA\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid%3DS3HHYfHY5rZv5f94S15MnA&amp;source=gmail&amp;ust=1695737525351000&amp;usg=AOvVaw0QTqKRwRJQFGK3KoJYigxX\">HERE<\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>French Baroque specialists Les Arts Florissants celebrate the 300th anniversary of Vivaldi\u2019s Four Seasons in concert with violinist Th\u00e9otime Langlois de Swart in a Toronto concert.<\/p>\n","protected":false},"author":64,"featured_media":112595,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[41660,74,19,29,4557,63,68],"tags":[6479,41330,41796],"yst_prominent_words":[28378,6616,22499],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2025\/03\/Copy-of-PREVIEW-2025-03-12T124046.435.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-ti0","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/112592"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=112592"}],"version-history":[{"count":7,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/112592\/revisions"}],"predecessor-version":[{"id":112845,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/112592\/revisions\/112845"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/112595"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=112592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=112592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=112592"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=112592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}