{"id":109345,"date":"2024-11-11T12:41:05","date_gmt":"2024-11-11T17:41:05","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=109345"},"modified":"2024-11-11T13:00:02","modified_gmt":"2024-11-11T18:00:02","slug":"scoop-nac-orchestra-releases-two-orchestras-one-symphony-spotlighting-quebec-composer-jacques-hetus-legacy","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2024\/11\/11\/scoop-nac-orchestra-releases-two-orchestras-one-symphony-spotlighting-quebec-composer-jacques-hetus-legacy\/","title":{"rendered":"THE SCOOP | NAC Orchestra Releases Two Orchestras, One Symphony Spotlighting Qu\u00e9bec Composer Jacques H\u00e9tu\u2019s Legacy"},"content":{"rendered":"<figure id=\"attachment_109347\" aria-describedby=\"caption-attachment-109347\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-109347\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/11\/Copy-of-CRITICS-PICKS-96.jpg\" alt=\"Alexander Shelley conducts the NAC Orchestra, with the Toronto Mendelssohn Choir and Orchestre symphonique de Qu\u00e9bec at Ottawa\u2019s Southam Hall (All photos by Curtis Perry)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/11\/Copy-of-CRITICS-PICKS-96.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/11\/Copy-of-CRITICS-PICKS-96-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/11\/Copy-of-CRITICS-PICKS-96-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/11\/Copy-of-CRITICS-PICKS-96-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-109347\" class=\"wp-caption-text\">Alexander Shelley conducts the NAC Orchestra, with the Toronto Mendelssohn Choir and Orchestre symphonique de Qu\u00e9bec at Ottawa\u2019s Southam Hall (All photos by Curtis Perry)<\/figcaption><\/figure>\n<p>On November 15, the National Arts Centre Orchestra will release Two Orchestras, One Symphony, a recording that was made in collaboration with the Orchestre symphonique de Qu\u00e9bec and the Toronto Mendelssohn Choir, Jean-S\u00e9bastien Vall\u00e9e Artistic Director.<\/p>\n<p>The album features the late Qu\u00e9bec composer Jacques H\u00e9tu\u2019s Symphony No. 5, which he wrote inspired the Second World War poem Libert\u00e9 by French poet Paul \u00c9luard (1895-1952). The album will be released digitally worldwide on the Analekta label as of November 15, 2024.<\/p>\n<p>With two orchestras and one of Canada\u2019s finest choirs, the work is given a monumental presentation.<\/p>\n<figure id=\"attachment_109348\" aria-describedby=\"caption-attachment-109348\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-109348\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/11\/NAC-Orchestra-Quebec-Symph-and-TMChoir-in-Quebec.jpg\" alt=\"Alexander Shelley conducts the NAC Orchestra, with the Toronto Mendelssohn Choir and Orchestre symphonique de Qu\u00e9bec in Qu\u00e9bec, Grand Th\u00e9\u00e2tre (Photo by Greggory Clark)\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/11\/NAC-Orchestra-Quebec-Symph-and-TMChoir-in-Quebec.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/11\/NAC-Orchestra-Quebec-Symph-and-TMChoir-in-Quebec-300x200.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/11\/NAC-Orchestra-Quebec-Symph-and-TMChoir-in-Quebec-1024x683.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/11\/NAC-Orchestra-Quebec-Symph-and-TMChoir-in-Quebec-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-109348\" class=\"wp-caption-text\">Alexander Shelley conducts the NAC Orchestra, with the Toronto Mendelssohn Choir and Orchestre symphonique de Qu\u00e9bec in Qu\u00e9bec, Grand Th\u00e9\u00e2tre (Photo by Greggory Clark)<\/figcaption><\/figure>\n<h2>The Album<\/h2>\n<p>The concept for the album began to take shape after Alexander Shelley guest conducted the Orchestre symphonique de Qu\u00e9bec. It was his suggestion for the two orchestras to come together to perform H\u00e9tu\u2019s masterpiece. The finished version features more than 100 musicians and the 114 singers of the Toronto Mendelssohn Choir in a celebration of Canadian talent.<\/p>\n<p>The project went on a three city tour that saw them perform at Le Grand Th\u00e9\u00e2tre de Qu\u00e9bec in Qu\u00e9bec City, Roy Thomson Hall in Toronto, and Southam Hall in Ottawa.<\/p>\n<p>Jacques H\u00e9tu was born in Trois-Rivi\u00e8res, and left a legacy of about 70 works that include symphonies, chamber music, concertos, and opera. He became a member of the Royal Society of Canada, and in 2001 he was named an Officer of the Order of Canada. He is one of the most frequently performed Canadian composers today.<\/p>\n<p>The NAC Orchestra began to work with H\u00e9tu back in 1977 under former music director Mario Bernardi. The first collaboration was a commission titled Antinomie. The relationship continued under Pinchas Zukerman (as former NAC Orchestra music director), who took some of H\u00e9tu\u2019s music on a European tour in 1990.<\/p>\n<p>At the time of his death in 2010, H\u00e9tu was working on another National Arts Centre commission. Symphony No. 5 is H\u00e9tu&#8217;s final completed work.<\/p>\n<p>The album was recorded on March 8 and 9, 2024 in Southam Hall at Canada\u2019s National Arts Centre.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/KPJ00IqqCiU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Symphony No. 5 by Jacques H\u00e9tu<\/h3>\n<p><em>Jacques H\u00e9tu (1938-2010)<\/em><br \/>\n<em>Symphony No. 5, Op. 81<\/em><\/p>\n<p><em>I. Prologue: Allegretto (8:32)<\/em><br \/>\n<em>II. L\u2019invasion (The Invasion): Vivace (5:23)<\/em><br \/>\n<em>III. L\u2019occupation (The Occupation): Adagio (11:35)<\/em><br \/>\n<em>IV. Libert\u00e9 (Liberty): Andante (20:46)<\/em><\/p>\n<p>\u201cMuch as Schiller\u2019s eloquent summation of enlightenment ideals in his Ode to Joy was catalyst for Beethoven\u2019s monumental Ninth, so Paul \u00c9luard\u2019s blistering Libert\u00e9 inspired H\u00e9tu to compose his Symphony No. 5, his own masterpiece,\u201d comments <strong>Alexander Shelley<\/strong>, NAC Orchestra Music Director, in a statement.<\/p>\n<p>The Symphony\u2019s four movements follow the fate of Paris during the Second World War. The first movement is playful, joyful, depicting the City of Light before the war began. The second movement charts the devastation of the Nazi invasion, and the third the harsh realities of occupation.<\/p>\n<p>The final movement puts \u00c9luard\u2019s poem directly to music in a setting for choir, and tells of the liberation of the city after the Nazi occupation. You can check it out on <a href=\"https:\/\/open.spotify.com\/album\/1ye7nTpSsq4CCexy0bf0UD?go=1&amp;sp_cid=b73fdc36adf23ded50c325ac674232db&amp;utm_source=embed_player_p&amp;utm_medium=desktop&amp;nd=1&amp;dlsi=c95246642f42434c\" target=\"_blank\" rel=\"noopener\">Spotify here<\/a>.<\/p>\n<p>But, \u00c9luard wrote the poem in 1942, during the German occupation. It was published in an underground collection of poetry titled Po\u00e9sie et v\u00e9rit\u00e9. His vision of freedom, at the time, was based on hope and faith alone.<\/p>\n<p>H\u00e9tu uses the French poet\u2019s twin themes of freedom and hope in the music, finding a positive message in the midst of war.<\/p>\n<ul>\n<li>Find more details, and stream the album as of November 15, [<strong><a href=\"https:\/\/nac-cna.ca\/en\/orchestra\/recordings\/hetu-5\" target=\"_blank\" rel=\"noopener\">HERE<\/a><\/strong>].<\/li>\n<\/ul>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? Need to know the best\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/events\/\" target=\"_blank\" rel=\"noopener\"><u>events<\/u><\/a>\u00a0happening this weekend? Send us a\u00a0<\/em><\/strong><a href=\"mailto:anya@ludwig-van.com?subject=Let's%20chat\" target=\"_blank\" rel=\"noopener\"><strong><em><u>note<\/u>.<\/em><\/strong><br \/>\n<\/a><\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig Van Toronto e-Blast! \u2014 local classical music and opera news straight to your inbox <\/em><a href=\"https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid=S3HHYfHY5rZv5f94S15MnA\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid%3DS3HHYfHY5rZv5f94S15MnA&amp;source=gmail&amp;ust=1695737525351000&amp;usg=AOvVaw0QTqKRwRJQFGK3KoJYigxX\">HERE<\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>On November 15, the National Arts Centre Orchestra will release Two Orchestras, One Symphony, featuring Qu\u00e9bec composer Jacques H\u00e9tu\u2019s Symphony No. 5.<\/p>\n","protected":false},"author":64,"featured_media":109347,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[40967,11,18,19,875,38,81,39,9568,51,63],"tags":[4074,1658,6014],"yst_prominent_words":[13072,10453,6667,6914],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/11\/Copy-of-CRITICS-PICKS-96.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-srD","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/109345"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=109345"}],"version-history":[{"count":4,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/109345\/revisions"}],"predecessor-version":[{"id":109352,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/109345\/revisions\/109352"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/109347"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=109345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=109345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=109345"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=109345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}