{"id":107806,"date":"2024-09-23T16:01:23","date_gmt":"2024-09-23T20:01:23","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=107806"},"modified":"2024-09-24T08:00:06","modified_gmt":"2024-09-24T12:00:06","slug":"interview-pianist-stewart-goodyear-talks-bbc-proms-new-recording-busy-schedule","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2024\/09\/23\/interview-pianist-stewart-goodyear-talks-bbc-proms-new-recording-busy-schedule\/","title":{"rendered":"INTERVIEW | Pianist Stewart Goodyear Talks About The BBC Proms, His New Recording, And Busy Schedule"},"content":{"rendered":"<figure id=\"attachment_107808\" aria-describedby=\"caption-attachment-107808\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-107808\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Copy-of-INTERVIEW-26.jpg\" alt=\"Pianist Stewart Goodyear (Photo courtesy of the artist)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Copy-of-INTERVIEW-26.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Copy-of-INTERVIEW-26-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Copy-of-INTERVIEW-26-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Copy-of-INTERVIEW-26-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-107808\" class=\"wp-caption-text\">Pianist Stewart Goodyear (Photo courtesy of the artist)<\/figcaption><\/figure>\n<p>Toronto pianist Stewart Goodyear is having a year, you might say, one that is building on a distinctive career in the international classical music scene.<\/p>\n<p>Earlier in September, he played a well received performance at the <a href=\"https:\/\/www.bbc.co.uk\/proms\/events\/performers\/902209b8-ea1c-4806-a84e-9094fe728fc0\" target=\"_blank\" rel=\"noopener\">BBC Proms<\/a> with the Chineke! Orchestra. Along with Duke Ellington\u2019s jazzy version of Tchaikovsky\u2019s seminal The Nutcracker, and the composer\u2019s \u2018Path\u00e9tique\u2019 Symphony, Goodyear performed his own Callaloo, a suite for orchestra and piano that celebrates Caribbean culture.<\/p>\n<p>His recording of Prokofiev&#8217;s\u00a02nd and 3rd Concertos, along with the 7th Sonata, with Andrew Litton and the BBC Symphony Orchestra was released on Orchid Classics on September 6, the same day as the concert.<\/p>\n<p>A star alumnus of the Royal Conservatory of Music, and its inaugural artist-in-residence, Goodyear has fashioned a busy performing and recording career.<\/p>\n<p>His concert schedule is a full one. Just back after performances with the Vancouver Symphony Orchestra of Rachmaninoff&#8217;s Concerto no 3 with Music Director Otto Tausk, he\u2019s off to Reading, then Wichita, and then Indianapolis to perform Gershwin\u2019s iconic Rhapsody in Blue. That only covers the next three weeks.<\/p>\n<p>In January 2025, he\u2019ll be back in the UK to help the Chineke! Orchestra celebrate their 10th anniversary, and perform his own suite for orchestra, titled \u201cLife, Life, Life\u201d, a work commissioned by the Chineke! Foundation and dedicated to the memory of Stewart&#8217;s late mother.<\/p>\n<p>We caught up with him to talk about recent projects.<\/p>\n<figure id=\"attachment_107809\" aria-describedby=\"caption-attachment-107809\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-107809\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Stewart-Goodyear-2.jpg\" alt=\"Pianist Stewart Goodyear (Photo courtesy of the artist)\" width=\"1200\" height=\"801\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Stewart-Goodyear-2.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Stewart-Goodyear-2-300x200.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Stewart-Goodyear-2-1024x684.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Stewart-Goodyear-2-768x513.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-107809\" class=\"wp-caption-text\">Pianist Stewart Goodyear (Photo courtesy of the artist)<\/figcaption><\/figure>\n<h2>Stewart Goodyear: The Interview<\/h2>\n<p>The BBC Proms appearance came as the result of an invitation. \u201cChineke! Orchestra and I collaborated many times,\u201d Goodyear says. \u201cWe first recorded my suite entitled Callaloo in 2018.\u201d<\/p>\n<p>He calls it a \u201cwonderful relationship\u201d, one that spawned a tour of Callaloo in 2019 through the UK. He\u2019s also performed the work with the Toronto Symphony Orchestra and National Arts Centre Orchestra.<\/p>\n<p>Stewart grew up listening to classical music, along with other genres. \u201cEvery composer broke the mold,\u201d he says. Endless reinvention is part of what inspired him to become a composer as well as a pianist.<\/p>\n<p>\u201cIt compelled me to find my own voice, and pay homage to my own background,\u201d he says. That background is part British, and part Canadian, along with its Caribbean roots.<\/p>\n<p>The concert was a high point in the life of the work. \u201cAn honour,\u201d he calls it. \u201cIt was a wonderful, warm response. The audience went wild,\u201d he adds. \u201cJust performing in that space&#8230;\u201d He recalls his first trip to the UK at age 13 with his mother and aunt, taking in several Proms concerts at the storied venue.<\/p>\n<p>\u201cThere was just this electricity in the air,\u201d he says. \u201cTo be at the receiving end of that was, at first, overwhelming.\u201d<\/p>\n<p>To get over the feeling, he says he took the advice of one of the members of Chineke!, which entailed going up to the highest seat of Albert Hall and looking down at the stage to gain perspective. It helped.<\/p>\n<p>\u201cIt was just wonderful to feel their enthusiasm. What the audience gave me, I just gave back. It was probably the best, and the hottest performance of Callaloo.\u201d<\/p>\n<p>Chineke! Orchestra performs Goodyear\u2019s suite for piano and orchestra Callaloo in 2019:<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/_YH0tX8IWAg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Prokofiev<\/h3>\n<p>The Prokofiev album, which debuted on the <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2024\/09\/16\/classical-chartz-top-ten-classical-music-albums-week-september-16-22-2024\/\" target=\"_blank\" rel=\"noopener\">Classical Chartz at No. 8<\/a>, has its roots during the pandemic a few years ago.<\/p>\n<p>\u201cDuring the pandemic, of course, a lot of reflection comes about.\u201d<\/p>\n<p>Goodyear began to go over his repertoire, reaching back to his favourite pieces from his days as a student at Juilliard. \u201cBasically, I was in quarantine with my piano.\u201d<\/p>\n<p>Pieces he\u2019d become attached to during his childhood listening to albums had come up early on his list of works to record. Earlier in his career, his <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2020\/09\/17\/record-keeping-stewart-goodyear-offers-pristine-technique-sensitive-interpretation-beethoven-concertos\/\" target=\"_blank\" rel=\"noopener\">discography had leaned into Beethoven<\/a>. \u201cMy first love,\u201d he says. Glenn Gould was another big inspiration, resulting in his album <a href=\"https:\/\/www.ludwig-van.com\/toronto\/2018\/04\/05\/record-keeping-why-we-cant-stop-listening-to-pianist-stuart-goodyears-homage-to-glenn-gould\/\" target=\"_blank\" rel=\"noopener\">For Glenn Gould<\/a>. The repertoire for that recording came from Gould\u2019s first American recitals in the mid-1950s.<\/p>\n<p>As he reached back into his musical past, he struck a chord with Prokofiev. \u201cProkofiev was definitely on the list,\u201d he says. \u201cIt just felt like the right time for the recording. Prokofiev just felt like another composer who broke the mold.\u201d<\/p>\n<p>Other than the ubiquitous holiday Nutcrackers, Prokofiev has fallen somewhat out of favour with concert programmers these days. Goodyear points out the composer\u2019s \u201cirresistible flair, and drama that anyone can identify with\u201d.<\/p>\n<p>\u201cThose spiky dissonances come out, but there\u2019s also this incredible [&#8230;] drama, humour, everything,\u201d he says. \u201cWhen I first learned the second concerto, I was a Curtis student.\u201d As he tells the story, the presenter was looking for a rehearsal pianist for Yefim Bronfman to prepare for an upcoming concert. Stewart got a call from the dean, asking him if he could learn a concerto in five days as an opportunity to be the rehearsal pianist.<\/p>\n<p>\u201cAs a teenager, knowing no fear [&#8230;] I said, sure, let\u2019s do that,\u201d he laughs. \u201cThe composer just puts the performer through the wringer.\u201d<\/p>\n<p>He talks about the piece\u2019s wide emotional range that swings from deep reflection to abject tragedy. \u201cIt\u2019s almost like the piano is crying out,\u201d he says. The intermezzo comes next, a spritely movement he believes may have inspired Danny Elfman\u2019s original music for Beetlejuice. \u201cThen the fourth is just an amazing epic of a finale.\u201d Goodyear performed the 7th sonata often during his early recital years. An early influence, Prokofiev remains a favourite. \u201cHe definitely inspired me and the way I write for piano,\u201d he says.<\/p>\n<p>Diving deeply into the nuances of a composer\u2019s sound until he can sweat it out of his pores is always an enjoyable part of the process of preparing to record. \u201cIt was a great pleasure,\u201d he says.<\/p>\n<p>\u201cIt\u2019s a great honour to release this Prokofiev to the listening public. Three of my favourite Prokofiev pieces are on this album.\u201d<\/p>\n<p>What\u2019s next, when it comes to recording? There are a lot of composers left to mine. \u201cExploring composers was something that I always wanted to do,\u201d he says.<\/p>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a\"><u>event<\/u><\/span><\/a>? 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