{"id":107332,"date":"2024-09-03T16:58:32","date_gmt":"2024-09-03T20:58:32","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=107332"},"modified":"2024-09-04T13:14:46","modified_gmt":"2024-09-04T17:14:46","slug":"interview-ross-manson-and-andrew-adridge-talk-about-volcano-theatres-growth-international-productions","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2024\/09\/03\/interview-ross-manson-and-andrew-adridge-talk-about-volcano-theatres-growth-international-productions\/","title":{"rendered":"INTERVIEW | Ross Manson And Andrew Adridge Talk About Volcano Theatre\u2019s Growth &amp; International Productions"},"content":{"rendered":"<figure id=\"attachment_107333\" aria-describedby=\"caption-attachment-107333\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-107333\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Copy-of-INTERVIEW-23.jpg\" alt=\"Volcano Managing Director Andrew Adridge (L) and Ross Manson, Founding Artistic Director (R) (Photo courtesy of Volcano Theatre)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Copy-of-INTERVIEW-23.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Copy-of-INTERVIEW-23-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Copy-of-INTERVIEW-23-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Copy-of-INTERVIEW-23-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-107333\" class=\"wp-caption-text\">Volcano Managing Director Andrew Adridge (L) and Ross Manson, Founding Artistic Director (R) (Photo courtesy of Volcano Theatre)<\/figcaption><\/figure>\n<p>Toronto\u2019s Volcano Theatre recently announced the appointment of <strong>Joel Klein<\/strong> as the company\u2019s first ever Director of Touring and Global Collaboration, effective August 1, 2024. It\u2019s the kind of title and position that most Canadian theatre companies would have no place for, and that global vision is part of what sets Volcano apart.<\/p>\n<p>Joel\u2019s job will be to oversee and manage Volcano\u2019s national and international touring endeavours, of which there are currently several.<\/p>\n<p>One of the projects Klein will be responsible for is Volcano\u2019s new Standard of Care model. It\u2019s the result of an extensive review of their operations that took place during the pandemic, along the lies established by the We See You, White American Theater (WSYWAT) alliance of arts workers and their Principles for Building Anti-Racist Theatre Systems.<\/p>\n<p>It\u2019s particularly important when the nature of Volcano\u2019s projects are taken into account \u2014 performance projects that involve touring Black and racialized companies into spaces where the majority of the audience will be White. How artists are treated and supported during the process is crucial. The policies, which include what is called an Asymmetrical Co-production agreement, were created over an extended time period of consultation and collaborative work between diverse arts workers and other stakeholders.<\/p>\n<p>The new expansion has also included the hiring of Managing Director Andrew Adridge, and installing three new board members: Rose Genele, a strategic growth consultant; Melissa Chetty, a senior manager, whose CV includes working with The National Ballet of Canada and in the Ontario Public sector; and Adam Davids, a Toronto-based US entertainment lawyer.<\/p>\n<figure id=\"attachment_107334\" aria-describedby=\"caption-attachment-107334\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-107334\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/L-to-R_-Neema-Bickersteth-and-Cedric-Berry-in-Scott-Joplins-Treemonisha-Photo-by-Dahlia-Katz.jpg\" alt=\"Soprano Neema Bickersteth and baritone Cedric Barry in Scott Joplin\u2019s Treemonisha (Photo: Dahlia Katz)\" width=\"1200\" height=\"798\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/L-to-R_-Neema-Bickersteth-and-Cedric-Berry-in-Scott-Joplins-Treemonisha-Photo-by-Dahlia-Katz.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/L-to-R_-Neema-Bickersteth-and-Cedric-Berry-in-Scott-Joplins-Treemonisha-Photo-by-Dahlia-Katz-300x200.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/L-to-R_-Neema-Bickersteth-and-Cedric-Berry-in-Scott-Joplins-Treemonisha-Photo-by-Dahlia-Katz-1024x681.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/L-to-R_-Neema-Bickersteth-and-Cedric-Berry-in-Scott-Joplins-Treemonisha-Photo-by-Dahlia-Katz-768x511.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-107334\" class=\"wp-caption-text\">Soprano Neema Bickersteth and baritone Cedric Barry in Scott Joplin\u2019s Treemonisha (Photo: Dahlia Katz)<\/figcaption><\/figure>\n<h3>Ross Manson, Founding Artistic Director, and Andrew Adridge, Managing Director, Volcano Theatre<\/h3>\n<p>LvT spoke with Ross Manson, Founding Artistic Director, and Andrew Adridge, Managing Director, Volcano, about the new appointments and directions for Volcano as the company expands.<\/p>\n<p>Current projects include\u00a0<strong><a href=\"https:\/\/www.ludwig-van.com\/toronto\/2023\/05\/09\/preview-luminato-festival-toronto-live-present-world-premiere-scott-joplins-treemonisha-reimagined\/\" target=\"_blank\" rel=\"noopener\">Scott Joplin\u2019s Treemonisha<\/a>,<\/strong> which, despite being composed in 1911, premiered at Luminato Festival 2023 in Toronto. Treemonisha is set for its international premiere at the <a href=\"https:\/\/www.harristheaterchicago.org\/performance\/treemonisha\" target=\"_blank\" rel=\"noopener\">Harris Theatre, in Chicago, on May 2, 2025<\/a>.<\/p>\n<p>Other productions in various stages of development or on tour include:<\/p>\n<ul>\n<li>The Book of Life (a Canada\/Rwanda collaboration that has already played major festivals on three continents);<\/li>\n<li>I Have a Drum (a new concert\/theatre collaboration between Rwanda, Uganda and Canada, co-commissioned by the Edinburgh International Festival, ArtsEmerson in Boston, and UGA Presents in Athens, Georgia, and featuring Ingoma Nshya, the Women Drummers of Rwanda);<\/li>\n<li>Inuktitut Waiting for Godot (the first-ever translation of Beckett\u2019s masterpiece into Inuktitut);<\/li>\n<li>The Agreements (a video game\/classical song cycle, exploring how to live ethically in our current planetary predicament).<\/li>\n<\/ul>\n<p>As Manson puts it, the company\u2019s expansion is another step in the right direction. \u201cI think the best way to describe that mandate is to create those little things that grow that increase the health of the world.\u201d<\/p>\n<p>It\u2019s not that any one project will change the world; it\u2019s that each one can be part of a tide that\u2019s moving in a specific direction. He cites Robin Wall Kimmerer\u2019s book Braiding Sweetgrass and its analogy of planting seeds. \u201cI think that&#8217;s a fantastic analogy of what I want to do with Volcano.\u201d<\/p>\n<figure id=\"attachment_107335\" aria-describedby=\"caption-attachment-107335\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-107335\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Odile-Gakire-Katese-centre-surrounded-by-Ingoma-Nshya-The-Women-Drummers-of-Rwanda-in-The-Book-of-Life-Photo-by-Jon-Davey.jpg\" alt=\"Odile Gakire Katese (centre) with members of Ingoma Nshya (Photo: Jon Davey)\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Odile-Gakire-Katese-centre-surrounded-by-Ingoma-Nshya-The-Women-Drummers-of-Rwanda-in-The-Book-of-Life-Photo-by-Jon-Davey.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Odile-Gakire-Katese-centre-surrounded-by-Ingoma-Nshya-The-Women-Drummers-of-Rwanda-in-The-Book-of-Life-Photo-by-Jon-Davey-300x200.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Odile-Gakire-Katese-centre-surrounded-by-Ingoma-Nshya-The-Women-Drummers-of-Rwanda-in-The-Book-of-Life-Photo-by-Jon-Davey-1024x683.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Odile-Gakire-Katese-centre-surrounded-by-Ingoma-Nshya-The-Women-Drummers-of-Rwanda-in-The-Book-of-Life-Photo-by-Jon-Davey-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-107335\" class=\"wp-caption-text\">Odile Gakire Katese (centre) with members of Ingoma Nshya (Photo: Jon Davey)<\/figcaption><\/figure>\n<h3>Equity in Theatre<\/h3>\n<p>As Andrew Adridge points out, Volcano has been working in the area of inter-cultural performance for years with the growing realization that the principles they value need to be part of theatre\u2019s infrastructure across the board.<\/p>\n<p>In taking groundbreaking works like Treemonisha and the Inuktitut Waiting for Godot and their creators on the road, the impact has to be considered. \u201c[It\u2019s about] ensuring that people are taken care of,\u201d he says of the new Standard of Care model. \u201cThat&#8217;s sort of the spirit of what we&#8217;re looking at.\u201d It\u2019s a commitment to the artists, as he explains it.<\/p>\n<p>The new standards were the result of a painstaking process. \u201cCountless months of consultation,\u201d Andrew adds. It\u2019s about upholding the company\u2019s principles of equity at all levels, and adding action to policies on paper.<\/p>\n<p>\u201cAndrew really hit it when he said, it&#8217;s putting it on paper,\u201d Manson notes. \u201cNobody&#8217;s done the work of making equity contractual,\u201d he remarks of the theatre world.<\/p>\n<p>The Asymmetrical Coproduction Agreement is designed to accommodate productions between the global south and global north. \u201cWe&#8217;re working with two shows in Rwanda,\u201d Ross notes.<\/p>\n<p>He recalls approaching productions that are touring in the African continent and abroad. His initial assumption was to allocate the roles based on the amount of money that had been invested, as is the practice in Western society. He realized, however, that the model failed to take the actual importance of each party into account; he was reminded that financial contributions weren\u2019t the only kind, or necessarily the most important.<\/p>\n<p>\u201cHow do we make sure everyone is respected in an equal way?\u201d he wonders.<\/p>\n<h3>Taking Treemonisha to Chicago<\/h3>\n<p>Treemonisha has undergone few changes from the production that premiered at Luminato. \u201cIt&#8217;s almost exactly the same show,\u201d Ross says. The touring company is only two people fewer than the Toronto show, with one new song and a few minor modifications.<\/p>\n<p>The scope of the production is more than could be reasonably expected of a smallish company like Volcano. \u201cWhich is frankly insane for us,\u201d Manson says. The production was pitched to Harris Theatre by Volcano\u2019s previous GM. \u201cThey just saw it on video.\u201d<\/p>\n<p>The Chicago company, however, recognized the production\u2019s importance. \u201cLuckily, they&#8217;re a well endowed theatre,\u201d he adds. The production involves a 40-person touring company.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/sOwAbbQm7Sc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Rwanda &amp; Beyond<\/h3>\n<p>Volcano\u2019s two projects in Rwanda arose because of The Africa Trilogy, a trio of plays by playwrights from three continents that premiered at Luminato in 2010. Manson and others from the production took a trip to East Africa, where Rwanda was one of the stops. There, he happened to meet Odile Gakire \u201cKiki\u201d Katese, the leader of Ingoma Nshya, The Women Drummers of Rwanda. Years later, The Book of Life was created as a collaboration, incorporating letters written by survivors and perpetrators of Rwanda&#8217;s genocide.<\/p>\n<p>The Book of Life was acclaimed at the 2022 Edinburgh International Festival, and went on to performances at the 2023 SpoletoUSA Festival, The Ubumuntu Festival in Kigali, and in six cities in the USA. Manson reports that it\u2019s also been recently picked up by a company in Brazil.<\/p>\n<p>I Have A Drum is a new show that will showcase Ingoma Nshya in a drum-driven concert format with a theatrical side that will talk about the ensemble, and how they formed despite a centuries old stigma against women drummers.<\/p>\n<p>\u201cIt&#8217;s been a very productive artistic [collaboration],\u201d he says.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/g5P0f8wjlVE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Toronto Connections<\/h3>\n<p>\u201cAs much as the international appeal is exciting to me,\u201d Andrew notes, he also points out the imortant of keeping connected to Toronto and local audiences. \u201cHow can we have a sense of community here in Toronto?\u201d he asks.<\/p>\n<p>As a vocalist, Andrew Adridge performed in Treemonisha, and he points out that many Toronto artists have worked with Volcano over the years. He also notes the fact that many of the audience members for Scott Joplin\u2019s opera premiere at Luminato were also new to opera itself.<\/p>\n<p>\u201cI want to know how to connect with those folks,\u201d Andrew adds.<\/p>\n<p>Performing the work of marginalized artists and voices is a big first step, but continuing support means going beyond the premiere, and beyond Volcano Theatre. He mentions elements like competitions and other means where new repertoire can be more firmly established by repeated performances.<\/p>\n<p>\u201cI want to be able to build a name for Volcano that&#8217;s synonymous with this kind of work,\u201d Adridge says.<\/p>\n<p>As Ross points out, Treemonisha is important when you consider that the Met Opera only performed its first Black authored work in 2022.<\/p>\n<p>\u201cOpera has this chance to redefine itself,\u201d Manson says. For Volcano, keeping up the momentum is part of the work. \u201cIt\u2019s thrilling because there\u2019s growth. It\u2019s almost a &#8216;be careful what you wish for&#8217; scenario. Every single show that we put together is a bit too big for us, but people want us to do it all,\u201d he says. The kind of growth Volcano is now experiencing, with multiple projects on the go, is new.<\/p>\n<p>\u201cThat was unthinkable for us just a few years ago, literally four continents of touring with four projects,\u201d Ross says.<\/p>\n<p>\u201cIt&#8217;s a bit daunting but also thrilling.\u201d<\/p>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? Need to know the best <a href=\"https:\/\/www.ludwig-van.com\/toronto\/events\/\" target=\"_blank\" rel=\"noopener\"><u>events<\/u><\/a>\u00a0happening this weekend? Send us a\u00a0<\/em><\/strong><a href=\"mailto:anya@ludwig-van.com?subject=Let's%20chat\" target=\"_blank\" rel=\"noopener\"><strong><em><u>note<\/u>.<\/em><\/strong><br \/>\n<\/a><\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig Van Toronto e-Blast! \u2014 local classical music and opera news straight to your inbox <\/em><a href=\"https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid=S3HHYfHY5rZv5f94S15MnA\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid%3DS3HHYfHY5rZv5f94S15MnA&amp;source=gmail&amp;ust=1695737525351000&amp;usg=AOvVaw0QTqKRwRJQFGK3KoJYigxX\">HERE<\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Ross Manson, Founding Artistic Director, and Andrew Adridge, Managing Director, Volcano, talk about the new appointments and directions for Volcano.<\/p>\n","protected":false},"author":64,"featured_media":107333,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[40967,29,62,63],"tags":[36614,2879,3533],"yst_prominent_words":[14193],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/09\/Copy-of-INTERVIEW-23.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-rVa","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/107332"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=107332"}],"version-history":[{"count":11,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/107332\/revisions"}],"predecessor-version":[{"id":107356,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/107332\/revisions\/107356"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/107333"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=107332"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=107332"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=107332"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=107332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}