{"id":101200,"date":"2024-01-09T14:02:17","date_gmt":"2024-01-09T19:02:17","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=101200"},"modified":"2024-01-09T14:02:17","modified_gmt":"2024-01-09T19:02:17","slug":"preview-composer-sebastian-currier-talks-ongoingness-premiere-torontos-21c-music-festival","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2024\/01\/09\/preview-composer-sebastian-currier-talks-ongoingness-premiere-torontos-21c-music-festival\/","title":{"rendered":"PREVIEW | Composer Sebastian Currier Talks About Ongoingness \u2014 To Premiere At Toronto\u2019s 21C Music Festival"},"content":{"rendered":"<figure id=\"attachment_101203\" aria-describedby=\"caption-attachment-101203\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-101203 size-full\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/01\/Copy-of-PREVIEW-2.jpg\" alt=\"Sebastian Currier (Photo: Jennifer Taylor)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/01\/Copy-of-PREVIEW-2.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/01\/Copy-of-PREVIEW-2-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/01\/Copy-of-PREVIEW-2-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/01\/Copy-of-PREVIEW-2-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-101203\" class=\"wp-caption-text\">Sebastian Currier (Photo: Jennifer Taylor)<\/figcaption><\/figure>\n<p>Composer <strong>Sebastian Currier<\/strong>\u2019s piece Ongoingness will see its world premiere in Toronto as part of the 21C Music Festival at Koerner Hall. The piece was written for the occasion for harpist <strong>Bridget Kibbey<\/strong>, who will be performing it with the <strong>Calidore String Quartet<\/strong> on January 21.<\/p>\n<p>Based in New York City, the American composer will be in Toronto for the piece\u2019s debut.<\/p>\n<h3>Composer Sebastian Currier<\/h3>\n<p>Sebastian Currier is a native of Pennsylvania, and holds degrees from the Juilliard School and Manhattan School of Music. His body of work includes chamber and orchestral pieces as well as compositions for solo instruments.<\/p>\n<p>Sebastian\u2019s compositions have been performed by prominent ensembles all over the world, including the Berlin Philharmonic, New York Philharmonic, and the Kronos Quartet, among others.<\/p>\n<p>Currier has received numerous awards and recognition, including the Grawemeyer Award, Berlin Prize, Rome Prize, a Guggenheim Fellowship, a fellowship from the National Endowment for the Arts, and an Academy Award from the American Academy of Arts and Letters, among others.<\/p>\n<p><strong>Anne-Sophie Mutter<\/strong> has become a frequent collaborator. The renowned violinist, together with cellist Daniel M\u00fcller-Schott and pianist Lambert Orkis, premiered his piece Ghost Trio at Carnegie Hall in 2018. She has commissioned and recorded several of his pieces.<\/p>\n<p>He\u2019s currently working on a piece for violin and digital media that\u2019s in the development stages. He\u2019ll be collaborating with Anne Sophie Mutter again for the project. \u201cIt&#8217;s been a long association,\u201d he says. Blending the violin and digital sounds is a deliberate statement on the times. \u201cIt&#8217;s meant to somehow relate to [&#8230;] this strange moment we are in as human beings,\u201d he adds. In performance, the piece may be performed by a human musician using digital material. \u201cI don&#8217;t really know what it&#8217;s going to be.\u201d<\/p>\n<h3>Bridget Kibbey, the Harp &amp; the Concert<\/h3>\n<p><strong>Bridget Kibbey<\/strong> has taken the harp, something of an outlier to the classical music world, and brought it into the spotlight. She\u2019s done that by defying conventions and crossing genres, as at ease with baroque repertoire as she is playing in jazz or global music genres. Her technique is virtuosic, and her musicianship impeccable.<\/p>\n<p>Also on the program for the evening is Andr\u00e9 Caplet\u2019s harp quintet, inspired by Edgar Allan Poe\u2019s classic story Masque of the Red Death. The Royal Conservatory\u2019s Executive Director of Performing Arts, <strong>Mervon Mehta<\/strong>, will join the cast to narrate Poe\u2019s story.<\/p>\n<p>Mehta talked about Kibbey in an earlier<a href=\"https:\/\/www.ludwig-van.com\/toronto\/2023\/11\/24\/preview-21c-music-festival-brings-new-music-luminaries-toronto-january-may\/\" target=\"_blank\" rel=\"noopener\"> interview with LvT<\/a>. \u201cSomeone has called her the Yo-Yo Ma of the harp, but she is really a fascinating artist,\u201d he said. \u201cWe\u2019ve never done a harp concert, per se,\u201d he added. Local harp students will get the opportunity to learn from Bridget, who will conduct master classes while she\u2019s in Toronto.<\/p>\n<p>Other pieces on the program include Bach\u2019s Toccata and Fugue in D Minor, Claude Debussy: Pr\u00e9lude from Suite Bergamasque, Faur\u00e9\u2019s Une ch\u00e2telaine en sa tour, and works by Jessie Montgomery and Isaac Alb\u00e9niz, some of them arranged by Kibbey.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/1tVjrkrJ-tg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>Sebastian Currier: The Interview<\/h3>\n<p>When it comes to the initial spark for a composition, Sebastian approaches it in various ways. \u201cA lot of the time, I\u2019d start actually with a concept,\u201d he explains. His Microsymph, for example, written in 1997, takes a full-length symphony and condenses it into a frenetic ten-minute format. \u201cEverything goes back to that idea,\u201d he says.<\/p>\n<p>As a composer, there is always a push and pull of pressures. \u201cYou&#8217;re trying to establish a voice, a sound over your career, but also to [produce varied work],\u201d he explains.<\/p>\n<p>In February 2022, Louis Langr\u00e9e and the Cincinnati Symphony Orchestra gave his piece Track 8 its world premiere. Inspired by the work of Beethoven, the composition references the original material, but weaves it into an idiosyncratic musical language of Currier\u2019s own design.<\/p>\n<p>For Track 8, the premise was already given: to riff off Beethoven\u2019s 8th. \u201cComposers are often asked to write something related to a specific composition,\u201d he says. It led to his unique approach. \u201cWhy don&#8217;t I try to engage with it in a super direct way?\u201d he wondered.<\/p>\n<p>In the piece, instantly recognizable passages of Beethoven\u2019s original score emerge and then develop and transform into music that is clearly Currier\u2019s and not the Romantic master\u2019s.<\/p>\n<p>\u201cIt&#8217;s about the gradual, finding a balance between the things,\u201d he says. The snippets of Beethoven are seamlessly integrated. \u201cIt becomes subsumed in my work.\u201d<\/p>\n<p>He describes a process of discovery as he works with the original material and his own ideas. In each movement of Track 8, he worked on creating a different relationship to Beethoven\u2019s own 8th.<\/p>\n<p>In contrast, <a href=\"https:\/\/www.boosey.com\/cr\/music\/Sebastian-Currier-Ongoingness\/111518\" target=\"_blank\" rel=\"noopener\">Ongoingness<\/a>, the piece he wrote for Bridget Kibbey\u2019s performance at 21C, was not initially directed by a specific concept.<\/p>\n<p>\u201cI think the first thing to talk about is the instrumentation,\u201d he notes. \u201cI&#8217;ve written a lot for harp.\u201d<\/p>\n<p>Sebastian recalls coming to know French harpist Marie-Pierre Langlamet, at the time performing with the Metropolitan Opera Orchestra in New York. He became entranced with the instrument\u2019s complex possibilities, and began to write for it.<\/p>\n<p>\u201cI think it&#8217;s my sixth piece for harp,\u201d he observes. It\u2019s an area where repertoire can be sparse, as he notes. Previous compositions have included a piece for harp with flute and viola, a concerto, a work for harp and small string orchestra, and one for two harps. \u201cIt&#8217;s proved fun, once you get over all the pedals,\u201d he laughs.<\/p>\n<p>It won\u2019t be the first time he\u2019s worked with Kibbey. \u201cWe&#8217;ve done a lot together,\u201d he says. \u201cI&#8217;m looking forward to working with Bridget again.\u201d<\/p>\n<p>The harp, while unusual on the face of it, seems a natural sort of addition to a string quartet. \u201cIn terms of raw acoustics and balance, harp [with a string quartet], it&#8217;s a really natural fit.\u201d<\/p>\n<p>For Ongoingness, he began with a musical idea alone. \u201cBut it did become this thing,\u201d as he describes it \u2014 a thing that is constantly revolving, spinning on itself. \u201cIt transforms. The harp begins, then the harmonic language changes,\u201d he explains. \u201cWe will all see how that works.\u201d<\/p>\n<ul>\n<li>Find tickets and more information about the January 21 concert [<strong><a href=\"https:\/\/www.rcmusic.com\/events-and-performances\/bridget-kibbey-with-the-calidore-string-quartet\" target=\"_blank\" rel=\"noopener\">HERE<\/a><\/strong>].<\/li>\n<\/ul>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? Need to know the best\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/events\/\" target=\"_blank\" rel=\"noopener\"><u>events<\/u><\/a>\u00a0happening this weekend? Send us a\u00a0<\/em><\/strong><a href=\"mailto:anya@ludwig-van.com?subject=Let's%20chat\" target=\"_blank\" rel=\"noopener\"><strong><em><u>note<\/u>.<\/em><\/strong><br \/>\n<\/a><\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig Van Toronto e-Blast! \u2014 local classical music and opera news straight to your inbox <\/em><a href=\"https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid=S3HHYfHY5rZv5f94S15MnA\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid%3DS3HHYfHY5rZv5f94S15MnA&amp;source=gmail&amp;ust=1695737525351000&amp;usg=AOvVaw0QTqKRwRJQFGK3KoJYigxX\">HERE<\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Composer Sebastian Currier\u2019s piece Ongoingness will see its world premiere in Toronto as part of the 21C Music Festival at Koerner Hall.<\/p>\n","protected":false},"author":64,"featured_media":101203,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[40967,18,19,4967,29,38,4557,63],"tags":[4498,40989,2198,4837],"yst_prominent_words":[6715,9957,8592,6616,7059,13338,7677,13717],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2024\/01\/Copy-of-PREVIEW-2.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-qkg","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/101200"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=101200"}],"version-history":[{"count":3,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/101200\/revisions"}],"predecessor-version":[{"id":101204,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/101200\/revisions\/101204"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/101203"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=101200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=101200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=101200"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=101200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}