{"id":100947,"date":"2023-12-19T09:50:58","date_gmt":"2023-12-19T14:50:58","guid":{"rendered":"https:\/\/www.ludwig-van.com\/toronto\/?p=100947"},"modified":"2023-12-19T09:50:58","modified_gmt":"2023-12-19T14:50:58","slug":"scrutiny-mirvishs-42nd-street-non-stop-song-n-dance-joy","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/toronto\/2023\/12\/19\/scrutiny-mirvishs-42nd-street-non-stop-song-n-dance-joy\/","title":{"rendered":"SCRUTINY | Mirvish\u2019s 42nd Street Is Non-Stop Song \u2018N\u2019 Dance Joy"},"content":{"rendered":"<figure id=\"attachment_100950\" aria-describedby=\"caption-attachment-100950\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-100950\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/Copy-of-REVIEW-11.jpg\" alt=\"The Company of 42nd Street, Original Cast, 2023 (Photo: Johan Persson)\" width=\"1200\" height=\"628\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/Copy-of-REVIEW-11.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/Copy-of-REVIEW-11-300x157.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/Copy-of-REVIEW-11-1024x536.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/Copy-of-REVIEW-11-768x402.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-100950\" class=\"wp-caption-text\">The Company of 42nd Street, Original Cast, 2023 (Photo: Johan Persson)<\/figcaption><\/figure>\n<p><em><strong>David Mirvish, Jonathan Church &amp; David Ian\/42nd Street, book by Michael Stewart and Mark Bramble, lyrics by Al Dubin, music by Harry Warren, choreographed by Bill Deamer, directed by Jonathan Church, (based on the 1932 Bradford Rope novel, and the 1933 film), Princess of Wales Theatre, to Jan. 21, 2024. Tickets <a href=\"https:\/\/www.mirvish.com\/shows\/42nd-street\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/strong><\/em><\/p>\n<p>42nd Street is a joyous, non-stop song \u2018n\u2019 dance musical that is guaranteed to put a smile on your face.<\/p>\n<p>The show is the successful stage version of the iconic 1933 movie of the same name, originally produced on Broadway by the legendary David Merrick in 1980. 42nd Street was also the first successful transfer of an original movie musical to the Broadway stage.<\/p>\n<p>Since then, there have been countless revivals both in New York and London, and it seems that audiences can\u2019t get enough of the wall-to-wall musical spectacle. This acclaimed production began at Sadler\u2019s Wells in July 2023, then toured the British provinces before coming to Toronto with the original all-star West End Cast, so count this a Class A show.<\/p>\n<figure id=\"attachment_100952\" aria-describedby=\"caption-attachment-100952\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-100952\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/1800-Nicole-Lily-Baisden-Peggy-Sawyer-and-company.-Photo-Johan-Persson_2.jpg\" alt=\"Nicole-Lily Baisden as Peggy Sawyer and Company in 42nd Street, Original Cast, 2023 (Photo: Johan Persson)\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/1800-Nicole-Lily-Baisden-Peggy-Sawyer-and-company.-Photo-Johan-Persson_2.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/1800-Nicole-Lily-Baisden-Peggy-Sawyer-and-company.-Photo-Johan-Persson_2-300x200.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/1800-Nicole-Lily-Baisden-Peggy-Sawyer-and-company.-Photo-Johan-Persson_2-1024x683.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/1800-Nicole-Lily-Baisden-Peggy-Sawyer-and-company.-Photo-Johan-Persson_2-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-100952\" class=\"wp-caption-text\">Nicole-Lily Baisden as Peggy Sawyer and Company in 42nd Street, Original Cast, 2023 (Photo: Johan Persson)<\/figcaption><\/figure>\n<h3>The Plot<\/h3>\n<p>The story of 42nd Street is well known because it set the template for backstage musicals.<\/p>\n<p>Small town girl Peggy Sawyer (Nicole-Lily Baisden) comes to New York, lands a job as a chorus girl in a new Broadway musical called Pretty Lady, and becomes a star when she replaces aging leading lady Dorothy Brock (Ruthie Henshall) when the latter breaks an ankle.<\/p>\n<p>At the heart of the show is the relationship between Peggy and director Julian Marsh (Adam Garcia) who rehearses her relentlessly and mercilessly when the girl has to take over Dorothy\u2019s role. His breathless line on the subject has become an icon in itself. Snarls Marsh during rehearsals: \u201cI\u2019ll either have a live leading lady, or a dead chorus girl.\u201d<\/p>\n<p>Of course, there are complications.<\/p>\n<p>Dorothy must keep her Broadway angel Abner Dillon happy (Anthony Ofoegbu), because he\u2019s the guy who put up the money for Pretty Lady, but her heart is with her true love, Pat Denning (Michael Praed), an unemployed actor. And then there\u2019s the juvenile lead, Billy Lawlor (Olly Christopher), who falls for Peggy, who, sadly for him, only wants to concentrate on her own career.<\/p>\n<p>The show is filled with all manner of singing and dancing roles. Maggie jones (Josefina Gabrielle) and Bert Barry (Michael Matus) are both the writers and producers of Pretty Lady. Andy Lee (Alyn Hawke) is the dance director of the show. And of course, there has to be the wisecracking, street-wise chorus girls, played by Sarah-Marie Maxwell (Anytime Annie), Briana Craig (Lorraine), and Aimee Hodnett. (Phyllis).<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/CiD1tmR9nXg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h3>The Production<\/h3>\n<p>If you are at all familiar with Warner Brothers\u2019 so-called Depression musicals, you know that the song and dance numbers were staged by the notorious Busby Berkeley, and nothing was too grand a concept for his astounding choreographic vision, like a waterfall of beautiful chorines.<\/p>\n<p>Although choreographer Bill Deamer is limited by the reality of the stage, he still, aided and abetted by set designer Robert Jones, has come up with a sparkling series of eye-catching tap numbers that old Busby would have loved. By the way, Jones\u2019 period costumes are simply gorgeous, as are his art deco inspired designs for the show in general.<\/p>\n<p>What really makes the production work is the innovative way director Jonathan Church has crafted the scene changes. The show just flows seamlessly along in a very impressive way. It\u2019s probably one of the most clever stagings of a musical I\u2019ve ever seen. As well, Church\u2019s pacing doesn\u2019t let up for one moment.<\/p>\n<p>Of course, there is the glorious music by Dubin and Warren. The creators of the stage version used all the songs from the film, plus many other tunes that the team wrote for other Depression musicals. How can you go wrong with \u201cI Only Have Eyes for You\u201d, \u201cWe\u2019re In The Money\u201d, \u201cLullaby Of Broadway\u201d, and of course, the title song.<\/p>\n<figure id=\"attachment_100951\" aria-describedby=\"caption-attachment-100951\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-100951\" src=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/1800-Ruthie-Henshall-Dorothy-Brock_-Photo-Johan-Persson.jpg\" alt=\"Ruthie Henshall in 42nd Street, Original Cast, 2023 (Photo: Johan Persson)\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/1800-Ruthie-Henshall-Dorothy-Brock_-Photo-Johan-Persson.jpg 1200w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/1800-Ruthie-Henshall-Dorothy-Brock_-Photo-Johan-Persson-300x200.jpg 300w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/1800-Ruthie-Henshall-Dorothy-Brock_-Photo-Johan-Persson-1024x683.jpg 1024w, https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/1800-Ruthie-Henshall-Dorothy-Brock_-Photo-Johan-Persson-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-100951\" class=\"wp-caption-text\">Ruthie Henshall in 42nd Street, Original Cast, 2023 (Photo: Johan Persson)<\/figcaption><\/figure>\n<h3>The Cast<\/h3>\n<p>The bitchy character of Dorothy Brock is really the star of the show, with Peggy Sawyer as the ing\u00e9nue, and at this point, I\u2019d like to digress.<\/p>\n<p>I once wrote and voiced a radio show called Give My Regards To Broadway on <a href=\"https:\/\/www.classicalfm.ca\/\" target=\"_blank\" rel=\"noopener\">The New Classical FM<\/a>. In the station library I found a CD called Ruthie Henshall Sings Gershwin, with an English musical star I had never heard of, but when I first listened to the album, it stopped me in my tracks.<\/p>\n<p>Henshall\u2019s melodious, seductive, creamy voice, her idiosyncratic phrasing, the magical way she plays with words \u2014 here was a chanteuse of sheer brilliance in understanding lyrics and selling a song. Thereafter, Henshall became my Queen of the West End, and here she is, live on stage in my own city. The star is 56 now, and the voice may be burnished around the edges, but she still out-sings everyone else on the stage in glorious fashion.<\/p>\n<p>The original 1933 Peggy was tap sensation Ruby Keeler, but the very talented Baisden gives that lady a good run for her money with her incredible speed and attack. As the male juvenile, Christopher perfectly captures, in amusing fashion, the same vacuous personality as 1933 actor Dick Powell, as well as possessing the same kind of ringing tenor voice that could shatter glass.<\/p>\n<p>Australian-born Garcia has sex appeal up the whazoo, and exudes the authority that the character of director Julian Marsh demands, while Gabrielle delights as the tough old Broadway baby who can pour out a song. Turning the character of Jones into a woman is a change from the movie, but it injects a dash of brightness on stage.<\/p>\n<p>In fact, the cast overall is superb. Everyone can belt out a song and dance up a storm. The whole production is just plain terrific. And on a plus note, because this is an English cast, diction is PERFECT. You can hear every word in every song.<\/p>\n<h3>Final Thoughts<\/h3>\n<p>But here is a genuine surprise. Some bored Gen-Z\u2019s were sitting beside me and left at intermission. And that\u2019s when I realized, to my shock, that my delight and nostalgia for a song and dance show might not be to the taste of the younger generation. I guess 42nd Street is not a jukebox musical of current pop hits, and maybe they don\u2019t see the glories of great tap dancing, and tunes you can hum.<\/p>\n<p><strong><em>Are you looking to promote an <a href=\"https:\/\/www.ludwig-van.com\/toronto\/advertising\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0e101a\"><u>event<\/u><\/span><\/a>? Have a\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/masthead\/\" target=\"_blank\" rel=\"noopener\"><u>news tip<\/u><\/a>? Need to know the best\u00a0<a href=\"https:\/\/www.ludwig-van.com\/toronto\/events\/\" target=\"_blank\" rel=\"noopener\"><u>events<\/u><\/a>\u00a0happening this weekend? Send us a\u00a0<\/em><\/strong><a href=\"mailto:anya@ludwig-van.com?subject=Let's%20chat\" target=\"_blank\" rel=\"noopener\"><strong><em><u>note<\/u>.<\/em><\/strong><br \/>\n<\/a><\/p>\n<h3 class=\"western\"><em><b>#LUDWIGVAN<\/b><\/em><\/h3>\n<p class=\"western\"><em>Get the daily arts news straight to your inbox.<\/em><\/p>\n<h3 class=\"western\"><em>Sign up for the Ludwig Van Toronto e-Blast! \u2014 local classical music and opera news straight to your inbox <\/em><a href=\"https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid=S3HHYfHY5rZv5f94S15MnA\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/583e6ce0-dfd0-48be-8a33-61256b3c58e3.mlbtlr.com\/p2\/Fbd8jWoWQQ6CdBcLIvut3Q\/02E3cYaETqaj4Xm087cpSg?contactid%3DS3HHYfHY5rZv5f94S15MnA&amp;source=gmail&amp;ust=1695737525351000&amp;usg=AOvVaw0QTqKRwRJQFGK3KoJYigxX\">HERE<\/a>.<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Mirvish&#8217;s 42nd Street, on tour from London&#8217;s West End, is a joyous, non-stop song \u2018n\u2019 dance musical that is guaranteed to put a smile on your face.<\/p>\n","protected":false},"author":73,"featured_media":100950,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[40430,4780,52,62,63],"tags":[20677],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/toronto\/wp-content\/uploads\/sites\/2\/2023\/12\/Copy-of-REVIEW-11.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bakr-qgb","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/100947"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/comments?post=100947"}],"version-history":[{"count":3,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/100947\/revisions"}],"predecessor-version":[{"id":100953,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/posts\/100947\/revisions\/100953"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media\/100950"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/media?parent=100947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/categories?post=100947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/tags?post=100947"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/toronto\/wp-json\/wp\/v2\/yst_prominent_words?post=100947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}