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Ludwig Van
Toronto Montreal

LEBRECHT LISTENS | Fascinating New Album Reveals Insights On Haydn Symphonies Through Solo Piano Transcriptions

By Norman Lebrecht on July 26, 2019

Ivan Ilic
A new release by pianist Ivan Ilic of transcribed Haydn Symphonies for solo piano leads the ear up paths never fully imagined by the original symphonist.

Joseph Haydn: 3 symphonies (Chandos)

★★★★☆
🎧 Apple Music | Amazon

The Department of It Never Rains But It Pours has delivered us a set of premiere recordings of three Haydn symphonies, reduced for piano solo. Last week, we reviewed Mozart, shrunk to four instruments. What’s next — Wagner on the mandolin?

There are two saving graces at play here. The transcription by Carl David Stegmann (1751-1826) is craftily inventive, leading the ear up paths never fully imagined by the original symphonist. And the interpretation by the Serbian-US pianist Ivan Ilic has a splash of fun — mischief, even — that tells us not to take classical music always at its own pretensions.

What’s the music like? If I had listened blindfold to the Oxford Symphony on solo piano, I would have guessed it to be an early Beethoven sonata, somewhere between opus 2 and 10. Classically correct, the music keeps testing the limits of the genre. Not in any radical way by means of key-change or naughty chord, but by the suggestion that there are more ways than one to resolve an opening statement (something Boris Johnson will have to learn very soon). A line that can sound workaday in Haydn’s orchestration acquires a small question-mark in Stegmann’s intriguing piano score.

It comes as no surprise to discover, from the release’s excellent notes, that Stegmann lived the last 15 years of his life in Bonn, Beethoven’s birthplace, working for the resident publisher Simrock, a fount of Beethoven scores. Stegmann made 25 Haydn transcriptions in all and Simrock sold them to consumers as being ‘easily playable.’ If the Oxford is my favourite of the three here on offer, there’s plenty more to tweak the mind in Nos 48 and 75. Haydn invented the classical sonata and the four-movement symphony. Without him, Mozart and Beethoven would have struggled for expression.

To read more from Norman Lebrecht, follow him on Slippedisc.com.

LUDWIG VAN TORONTO

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Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.

Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.
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Ludwig Van Toronto

INTERVIEW | After A Debilitating Injury, Classical Guitarist Miloš Returns All The Better For It

By Anya Wassenberg on September 13, 2019

With traditional classical guitar works and covers of Paul Simon, Leonard Cohen, Portishead, Miloš returns with a new perspective on music. His new album "Sound of Silence", is out now.
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SCRUTINY | Margaret Trudeau Charms In Candid Autobiographical ‘A Certain Woman Of An Age’

By Paula Citron on September 21, 2019

For ninety minutes, the charming Trudeau reveals the good, the bad and the ugly, and it is compelling stuff with name-dropping galore and delicious insider tidbits. Yet at all times Trudeau is direct, honest and open, and that is how she wins our hearts and minds.
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LEBRECHT LISTENS | Andrey Gugnin Takes Shostakovich To Dizzying Speeds And Contemplative Heights

By Norman Lebrecht on September 20, 2019

Gugnin, a young Russian who won a piano competition in Sydney, Australia, plays at times maddeningly fast, just to show he can. But amid the helter-skelter there are moments of tender and profound contemplation that I need to hear again and again.
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