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Ludwig Van
Toronto Montreal

LEBRECHT LISTENS | A Definitive Recording Of Wilhelm Stenhammar's 2nd Symphony

By Norman Lebrecht on January 18, 2019

Wilhelm Stenhammar
Wilhelm Stenhammar (1871-1927) is considered one of Sweden’s most important composers, with a masterful repertoire of orchestral music, piano pieces, songs and operas. (Illustration courtesy of the Gothenburg Symphony)

Wilhelm Stenhammar: 2nd symphony, serenade (BIS)

★★★★ (out of five)

Ever bought a record just for the opening track? You’d be sorely tempted by this offering from the Gothenburg Symphony and Herbert Blomstedt, a pairing of the second symphony by a pal of Sibelius’s with his orchestral serenade. Swedes regard Stenhammar’s 2nd,  dated 1914, as their best symphony after Sibelius and some have argued the case with me alcoholically far into the unbroken winter’s night.

I am not persuaded. Stenhammar might have enjoyed a drink or few with Sibelius but the most he got out of these sessions was an imitative gift and a blinding hangover. The first movement of that symphony, though, is another matter altogether. Opening with the low-strings melody of a raw fishing song, it has an atmosphere that is at once organic and ethereal, suspending the listener between earth and sky and the music in a zone where it finds its own logic. There are hints of churchiness and baroque throwbacks, but the music is pure sub-Arctic oxygen. By the end of the first movement, you are breathless to hear what comes next.

There’s an interesting theme at the start of the second movement but it proves to have limited development potential. The third section is a bore and the finale a bit of a textbook blast. Sibelius, it ain’t. As for the Serenade, it’s a serenade. The earth does not move. Stenhammar died in 1927 without enhancing his reputation.

Still, that first movement. Buy it.

Wilhelm Stenhammar: 2nd symphony, serenade (BIS) is available at AmazonSpotify and iTunes.

Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.

Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.
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