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Ludwig Van
Toronto Montreal

LEBRECHT LISTENS | Johannes Moser And Maximilian Hornung Make Fair Arguments For Cello Concertos

By Norman Lebrecht on November 16, 2018

This week, Norman Lebrecht highlights two new Cello concerto albums by Johannes Moser and Hornung Maximilian.

Cello concertos (Pentatone/Myrios)

★★/★★★★ (out of five)

Mstislav Rostropovich commissioned more than 100 works for his instrument and performed some of them more than once. Aside from the two Shostakovich concertos and the symphony-concerto by Prokofiev, only the Britten Cello Symphony and the concertos by Lutoslawki and Dutilleux get heard much these days.

The latter pair are performed by Johannes Moser on a new Pentatone release and the gulf in quality between them is striking. Lutoslawski opens with several minutes of cello meditation, as if he has bought the complete TM package or forgotten he booked an orchestra. The concerto does not get much more communicative, dickering away at an attempted dialogue without ever achieving Luto’s trademark smoothness of line.

Henri Dutilleux’s tout un monde lointain is in a different class. Although contemplative at the outset, Dutilleux has such an easeful style that the ear is happy to be drawn into his playful, wispy ways. Slava adored this concerto. I am not sure that Moser gets enough fun out of it; the Berlin radio orchestra are a bit recessed on this recording.

I got more pleasure this week out of Maximilian Hornung’s pairing of the second Shostakovich concerto with a five-movement concerto by the Georgian Sulkhan Tsintsadze. Both works date from 1966 and both leave the soloist a huge degree of expressive liberty. Tsintsadze is very good at disguising folk roots in his music and Shostakovich, by this time, is an unassailable master. This is quite a cello feast. On balance, I prefer Hornung’s account of his second concerto to Slava’s in Boston, and that’s no small compliment. The orchestra here is DSO Berlin, conductor Andris Poga. Enjoy.

Johannes Moser: Lutoslawski & Dutilleux Cello Concertos is available at AmazonSpotify, and iTunes.

Maximilian Hornung: Cello Concertos of 1966 is available at AmazonSpotify, and iTunes.

Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.

Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.
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Ludwig Van Toronto

LEBRECHT LISTENS | Incoming TSO Chief Gives Us Proof That Unbelievers Write The Best Religious Music

By Norman Lebrecht on April 19, 2019

Gustavo Gimeno raises a keeps a tight grip on this Luxembourg performance with the local orchestra, the Vienna Singakademie and three Italians out of four soloists.
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LEBRECHT LISTENS | Jerusalem Quartet Explores The Lighter Side Of 20th Century Music

By Norman Lebrecht on April 12, 2019

The Jerusalem Quartet and Hila Baggio highlight Jewish humour and self-irony in the songs that were featured in Jewish cabarets in Warsaw in the early 20th century.
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SCRUTINY | Toronto Gets A First Hand Account Of Why Mariam Batsashvili Is So Special

By Joseph So on April 8, 2019

Women’s Musical Club of Toronto presented young piano phenom Mariam Batsashvili for her Canadian debut, leaving just about everyone on their feet.
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