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Ludwig Van
Toronto Montreal

LEBRECHT LISTENS | TSO's Celebratory Vaughan Williams Is A Desert Island Disc

By Norman Lebrecht on June 8, 2018

The TSO's celebratory release completing his fourteen-year tenure of Peter Oundjian as Music Director is top-shelf Vaughan Williams and a fitting tribute to the TSO/Oundjian legacy.
This celebratory release completing Peter Oundjian’s fourteen-year tenure as Music Director of the TSO is a fitting tribute to his legacy.

Vaughan Williams: Concertos (Chandos)

★★★★ (out of five)

If I had to choose Elgar or VW for a desert island, I know which it would be. Elgar these days seems over-familiar, where Vaughan Williams loses none of his capacity to surprise.

You would not automatically guess that from the opening item on this Toronto Symphony recording, the 1938 Serenade to Music, a flossy piece which is made up of bits of Shakespeare and broderie anglaise. Moving swiftly on, the 1944 oboe concerto is an exquisite wartime consolation, a promise of green fields and scones for tea when all the unpleasantness is over. Sarah Jeffrey’s reading is ideally serene, tinged with just a trace of face-saving scepticism.

Flos Campi, a 1924 viola concerto with added small chorus, fuses the Song of Solomon with the flowers of wartime French fields. The soloist, Teng Li, seems to linger about her business, but the interpretation opens up memorably on second hearing, a reminder of how effective the Toronto Symphony has grown under the departing Peter Oundjian’s baton. The concluding piano concerto, written for Harriet Cohen, receives the most convincing performance of my experience from Louis Lortie — lots of bluff and bluster, but a big composer’s heart beating through and through. A desert island disc, no question.

Vaughan Williams: Concertos (Chandos) is available at iTunes and amazon.ca.

Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.

Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.
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Ludwig Van Toronto

CMIM 2018 | Day Two: Aria Competition First Round (Sessions 1 & 2) Inches Closer To Semi-Finals

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CRITIC'S PICKS | 10 Concerts You Should Absolutely See This Week (June 4 – 10)

By Joseph So on June 4, 2018

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SCRUTINY | Two TSO Concerts For The Price Of One, Plus A Bonus Jon Kimura Parker

By Arthur Kaptainis on June 14, 2018

Rather than ponder the imponderable and seek to understand why Gershwin’s Concerto in F and Brahms’s First Symphony are not compatible, let's accept the Toronto Symphony Orchestra outing as two concerts separated by an intermission.
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