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Ludwig Van
Toronto Montreal

LEBRECHT LISTENS | Violinist Patricia Kopatchinskaya Is A Wildfire

By Norman Lebrecht on February 9, 2018

Deux: Patricia Kopatchinskaja, Polina Leschenko
Deux: Patricia Kopatchinskaja, Polina Leschenko (Alpha-Classics)

★★★★★ (out of five)

I can’t remember when I last heard a violin-piano recital that was as ingenious and exhilarating as this. On the sleeve, the Franco-Hungarian programme looks a bit odd — the Poulenc sonata written for Ginette Neveu in 1943, a Dohnanyi setting of a waltz from Delibes’ Coppélia, the full-on Bartok sonata of 1922 and Ravel’s Tzigane to close.

What do these pieces have in common?

Check this: On April 8, 1922, Bela Bartok gave a recital in Paris with his compatriot Jelly d’Aranyi. Ravel was the page turner for Bartok and Poulenc for d’Aranyi. In the audience were Stravinsky, Szymanowski, Milhaud, Honegger and Roussel. The violinist said it was the most thrilling concert of her life. She had already sat through a long night with Ravel playing him gypsy tunes, which he turned into Tzigane. This single concert fused three distinct cultures.

Only Patricia Kopatchinskaya would have made these connections, and no other violinist could bring them to life with such wildfire exuberance, verging on madcap abandon. The Russian pianist Polina Leschenko, rather than offering a steadying hand with big, bold chords, is a subtle provocateur, forever daring barefoot Pat Kop to do something really wicked.

The Poulenc sonata delivers winsome blues, a mild dig at the Nazi occupation. The Coppélia waltz is undanceable at this speed. The Bartok sonata aches with homesickness for Balkan steppes and Tzigane is absolutely electrifying. There is more voltage on this record than a nuclear power plant on the Seine.

Deux (Patricia Kopatchinskaja & Polina Leschenko) is available Feb. 23, 2018 on iTunes and Amazin.ca.

LUDWIG VAN TORONTO

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Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.

Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.
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Ludwig Van Toronto

THE SCOOP | London Wins Bid For 2019 Juno Awards

By Michael Vincent on January 29, 2018

"We are thrilled to host the 2019 JUNO Week celebrations here in London. As one of Canada’s emerging cultural scenes we are excited to show the world how culturally rich and diverse London."
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SCRUTINY | Another Sunrise and Farewell Auschwitz Offers Dark Holocaust Humour That Makes An Impact

By Matthew Timmermans on February 15, 2018

The Electric Bond Ensemble and soprano Sara Schabas make a powerful first impression with the premiere of two original mini-operas on Holocaust.
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RECORD KEEPING | A Top Shelf Nielsen From Dausgaard And The Seattle Symphony

By Paul E. Robinson on February 5, 2018

While there have been other fine recorded performances of Nielsen’s Fourth, Dausgaard and the Seattle Symphony, combining virtuosic playing with the flying by the seat of your pants abandon of a live performance, give us one that ranks right up there with the best of them.
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