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Ludwig Van
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LEBRECHT LISTENS | A Cello Rush With Laura Van Der Heijden Leading The Pack

By Norman Lebrecht on January 5, 2018

It just got a whole load tougher out there for young cellists.

The first release batch of the New Year contains no fewer than four cello-piano recitals, all of them estimable. In a shrinking media environment, none will get the full-length attention they deserve. The best I can do here is short Schrift.

A performance of the Brahms cello sonatas by Jean-Guihen Qeueyras and Alexandre Tharaud [Erato ★★ (out of five)] is rather too Aimez-vous Brahms for my liking. The French accent is extremely pronounced.

The Swiss cellist Lionel Cottet, principal with Bavarian Radio SO, has what appears to be a debut album on Sony with the Mexican pianist Jorge Viladoms (**). It’s an amiable mix of French and South American composers with the late Debussy sonata incongruously at the heart of it. A sombre meditation by Ginastera stops time in its tracks, but do they really need to play Massenet’s outworn sole and another Saint-Saens Swan?

Edgar Moreau, the frontrunner in young French cellists, offers an uncommon potpourri with pianist David Kadouch on Erato (★★). The opening piece is an 1898 rarity Titus et Bérénice by Rita Strohl – hands up if you’ve heard of her — and it offers a genteel introduction to Poulenc’s substantial sonata of 1940. César Franck’s violin sonata does not sit easily on the cello, especially at about half the given tempo and remaining pieces are mere morceaux.

Album of the week is, outstandingly, a record debut by BBC Young Musician winner Laura Van Der Heijden with pianist Petr Limonov (Champs Hill ★★★★). Themed to the year 1948, when Stalin launched his assault on musicians, it presents starkly contrasting sonatas by Prokofiev and Miaskovsky, buttressed by lighter works of Yuri Shaporin and the 19th-century Anatoly Liadov. Van Der Heijden refuses to prettify the grim circumstances in her playing, though she can do tender when required. These are serious, adult interpretations, properly considered and ready to contend with the best in the field.

That said, there’s a debut coming up from Laura’s BBC successor Sheku Kanneh-Mason, and Deutsche Grammophon have the young French cellist Camille Thomas up their sleeve.

It’s getting tougher out there by the week.

LUDWIG VAN TORONTO

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Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.

Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.
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Ludwig Van Toronto

INTERVIEW | Fall For Dance North Founder Relives The Moments Leading Up To This Year's Festival

By Paula Citron on September 28, 2018

Ilter Ibrahimof discusses the origin story of Fall For Dance North, the importance of incorporating live music in dance, and walks us through this year's festival lineup.
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LEBRECHT LISTENS | Cellist Steven Isserlis Takes Us Into New Mood Territory

By Norman Lebrecht on September 28, 2018

Steven Isserlis modest Chopin and Schubert cello-piano recital with Dénes Várjon highlights two fine musicians at the peak of their powers.
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FEATURE | In Search Of A Musical Instrument Bank That Won't Break The Bank

By Hye Won Cecilia Lee on September 26, 2018

Being a professional classical musician can be expensive, especially for string players. In comes the Musical Instrument Bank Competition that offers musicians the chance to match their extraordinary talents with world-class instruments and bows which would otherwise be out of reach.
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