Violist Pemi Paull set up a viola cam during rehearsals for yesterday’s performance of Bach’s St. Matthew Passion by Ensemble Caprice at the Church of St. Andrew and St. Paul in downtown Montreal.
It’s a great way to hear how strange and unbalanced music sounds from an orchestra player’s perspective — and why having a conductor with a vision for the overall sound of a piece is such a great idea.
Here’s the opening chorus:
http://youtu.be/KE9hdXgGN6E
John Terauds
John Terauds, Editor-Emeritus of Ludwig van Toronto, is currently a Divinity student at the University of Toronto and a church music director. He joined the Toronto Star in 1988, was the classical music critic from 2005 to 2012, and continues as a freelance critic for the paper. He is the co-author of Roy Thomson Hall: A Portrait, a book written with Toronto Star Colleague, William Littler.
Latest posts by John Terauds (see all)
- Classical Music 101: What Does A Conductor Do? - June 17, 2019
- Classical Music 101 | What Does Period Instrument Mean? - May 6, 2019
- CLASSICAL MUSIC 101 | What Does It Mean To Be In Tune? - April 23, 2019
John Terauds
John Terauds, Editor-Emeritus of Ludwig van Toronto, is currently a Divinity student at the University of Toronto and a church music director. He joined the Toronto Star in 1988, was the classical music critic from 2005 to 2012, and continues as a freelance critic for the paper. He is the co-author of Roy Thomson Hall: A Portrait, a book written with Toronto Star Colleague, William Littler.
Latest posts by John Terauds (see all)
- Classical Music 101: What Does A Conductor Do? - June 17, 2019
- Classical Music 101 | What Does Period Instrument Mean? - May 6, 2019
- CLASSICAL MUSIC 101 | What Does It Mean To Be In Tune? - April 23, 2019