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Ludwig Van
Toronto Montreal

Classical Music 101: Pemi Paull's viola cam proves best listening is behind the conductor

By John Terauds on April 7, 2012

Violist Pemi Paull set up a viola cam during rehearsals for yesterday’s performance of Bach’s St. Matthew Passion by Ensemble Caprice at the Church of St. Andrew and St. Paul in downtown Montreal.

It’s a great way to hear how strange and unbalanced music sounds from an orchestra player’s perspective — and why having a conductor with a vision for the overall sound of a piece is such a great idea.

Here’s the opening chorus:

John Terauds

John Terauds

John Terauds, the founder of Musical Toronto, is currently a Divinity student at University of Toronto and a church music director. He joined the Toronto Star in 1988, was the classical music critic from 2005 to 2012, and continues as a freelance critic for the paper. He is the co-author of Roy Thomson Hall: A Portrait, a book written with Toronto Star Colleague, William Littler.
John Terauds
John Terauds

John Terauds

John Terauds, the founder of Musical Toronto, is currently a Divinity student at University of Toronto and a church music director. He joined the Toronto Star in 1988, was the classical music critic from 2005 to 2012, and continues as a freelance critic for the paper. He is the co-author of Roy Thomson Hall: A Portrait, a book written with Toronto Star Colleague, William Littler.
John Terauds
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