{"id":69979,"date":"2022-02-28T10:17:00","date_gmt":"2022-02-28T15:17:00","guid":{"rendered":"https:\/\/www.ludwig-van.com\/montreal\/?post_type=tribe_events&p=69979"},"modified":"2022-02-28T10:17:00","modified_gmt":"2022-02-28T15:17:00","slug":"smam-rosee-du-ciel","status":"publish","type":"tribe_events","link":"https:\/\/www.ludwig-van.com\/montreal\/event\/smam-rosee-du-ciel\/","title":{"rendered":"SMAM – Ros\u00e9e du ciel"},"content":{"rendered":"

En salle et en webdiffusion<\/h3>\n

Les \u00ab petits \u00bb motets \u00e9taient ainsi d\u00e9sign\u00e9s en France parce qu\u2019ils ne faisaient appel ni au choeur ni \u00e0 l\u2019orchestre. \u00c0 partir des ann\u00e9es 1640, on les entendait, chant\u00e9s par les meilleures voix, dans toutes les maisons religieuses du royaume. D\u2019un exquis raffinement, le genre entretenait des liens \u00e9troits avec la sensualit\u00e9 de l\u2019art italien, comme en t\u00e9moignent les motets des Fran\u00e7ais, de naissance ou d\u2019adoption, Dumont, Danielis, Lorenzani et Lully, proches de ceux de leurs confr\u00e8res Nanino, Giamberti et Branca.<\/p>\n

Giovanni Maria<\/strong>\u00a0(1543-1607)
\nNanino<\/em><\/span>\u00a0Audi filia<\/em>\u00a0pour trois soprano et basse continue<\/span><\/p>\n

Henry DuMont\u00a0<\/strong>(1610-1684)<\/span>\u00a0<\/span>
\nO panis angelorum<\/em>\u00a0<\/span>pour trois soprano et basse continue<\/span><\/p>\n

Daniel Danielis\u00a0<\/strong>(1635-1696)<\/span>
\nCaeli rores\u00a0<\/em>pour deux soprano et basse continue<\/span><\/p>\n

Adriano Banchieri\u00a0<\/strong>(1568-1634)<\/span>
\nConcerto di dui angioletti in dialogo<\/em>\u00a0<\/span>pour deux soprano et basse continue<\/span>\u00a0\u00a0<\/span><\/p>\n

Paolo Lorenzani<\/strong>\u00a0(1640-1713)<\/span>\u00a0<\/span>
\nO amor Jesu<\/em>\u00a0pour trois soprano et basse continue<\/span><\/p>\n

Giovanni Giacomo<\/strong>\u00a0(1620-1694)
\nBranca<\/em><\/span>\u00a0Laudate Dominum<\/em>\u00a0pour deux soprano et basse continue<\/span><\/p>\n

Marc-Antoine Charpentier<\/strong>\u00a0(1643-1704)
\n<\/span>O sacrum convivium<\/em>\u00a0pour trois soprano et basse continue<\/span><\/p>\n

Daniel Danielis<\/strong>
\n<\/span>Adoro te<\/em>\u00a0pour deux soprano et basse continue\u00a0<\/span>\u00a0<\/span><\/p>\n

Paolo Lorenzani<\/strong>
\nO quam suavis<\/em>\u00a0pour trois soprano et basse continue<\/span>\u00a0<\/span><\/p>\n

Jean-Baptiste Lully<\/strong>\u00a0(1632-1687)
\n<\/span>Regina Caeli<\/em>\u00a0pour trois soprano et basse continue<\/span><\/p>\n

Anne-Marie Beaudette<\/strong>,\u00a0Bronwyn Thies-Thompson<\/strong>\u00a0et\u00a0Jacqueline Woodley<\/strong>, sopranos
\nChristophe Gauthier<\/strong>, clavecin<\/p>\n","protected":false},"excerpt":{"rendered":"

En salle et en webdiffusion Les \u00ab petits \u00bb motets \u00e9taient ainsi d\u00e9sign\u00e9s en France parce qu\u2019ils ne faisaient appel ni au choeur ni \u00e0 l\u2019orchestre. \u00c0 partir des ann\u00e9es 1640, on les entendait, chant\u00e9s par les meilleures voix, dans toutes les maisons religieuses du royaume. D\u2019un exquis raffinement, le genre entretenait des liens \u00e9troits […]<\/p>\n","protected":false},"author":1,"featured_media":69980,"comment_status":"open","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"tags":[],"tribe_events_cat":[5050],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/69979"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/comments?post=69979"}],"version-history":[{"count":1,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/69979\/revisions"}],"predecessor-version":[{"id":69981,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/69979\/revisions\/69981"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media\/69980"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media?parent=69979"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tags?post=69979"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events_cat?post=69979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}