{"id":69248,"date":"2022-01-30T14:49:49","date_gmt":"2022-01-30T19:49:49","guid":{"rendered":"https:\/\/www.ludwig-van.com\/montreal\/?post_type=tribe_events&#038;p=69248"},"modified":"2022-02-14T09:20:26","modified_gmt":"2022-02-14T14:20:26","slug":"quatuor-bozzini-ways-returning","status":"publish","type":"tribe_events","link":"https:\/\/www.ludwig-van.com\/montreal\/event\/quatuor-bozzini-ways-returning\/","title":{"rendered":"QUATUOR BOZZINI: WAYS OF RETURNING"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>Le quatuor \u00e0 cordes virtuose poursuit son exploration des possibilit\u00e9s apparemment infinies du timbre et de la couleur sonore en interpr\u00e9tant des \u0153uvres puisant dans le glitch art, le minimalisme, le noise et le dark ambient.<\/p>\n<p>Ce concert tisse des liens entre le quatuor acoustique et l\u2019\u00e9lectronique avec une cr\u00e9ation de Nicole Liz\u00e9e et des \u0153uvres de Tom Johnson, de Michael Oesterle et d\u2019Anthony Tan. Liz\u00e9e remanie des motifs musicaux avec la brillance d\u2019une DJ talentueuse, alors que la pi\u00e8ce du minimaliste Johnson nous fait entrer dans un monde musical po\u00e9tique combinant des formules math\u00e9matiques. Oesterle \u00e9quilibre des motifs g\u00e9om\u00e9triques et expressifs qui \u00e9voquent la nostalgie, tandis que Tan, laur\u00e9at du Prix Jules-L\u00e9ger 2021, propose un \u00e9tonnant m\u00e9lange des genres alliant quatuor classique et exploration du contrepoint modal et tonal.<\/p>\n<p>PROGRAMME<br \/>\nNicole Liz\u00e9e: Hexbreakers , 2022 &#8211; cr\u00e9ation<br \/>\nTom Johnson: Formulas for String Quartet , 1994<br \/>\nMichael Oesterle: String Quartet No. 3 \u2018Alan Turing\u2019 , 2010<br \/>\nAnthony Tan: Ways of Returning , 2019<\/p>\n<p>PARTICIPANTS<br \/>\nQUATUOR BOZZINI<br \/>\nALISSA CHEUNG (violon)<br \/>\nCLEMENS MERKEL (violon)<br \/>\nST\u00c9PHANIE BOZZINI (alto)<br \/>\nISABELLE BOZZINI (violoncelle)<br \/>\nANTHONY TAN (son)<\/p>\n<p>TARIFICATIONS<br \/>\nPr\u00e9vente 25$<br \/>\nR\u00e9gulier 35$<br \/>\nR\u00e9duits (\u00c9tudiants, membres Vivier, + de 65 ans, etc.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le quatuor \u00e0 cordes virtuose poursuit son exploration des possibilit\u00e9s apparemment infinies du timbre et de la couleur sonore en interpr\u00e9tant des \u0153uvres puisant dans le glitch art, le minimalisme, le noise et le dark ambient.<\/p>\n","protected":false},"author":1,"featured_media":69476,"comment_status":"open","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"tags":[],"tribe_events_cat":[],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/69248"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/comments?post=69248"}],"version-history":[{"count":1,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/69248\/revisions"}],"predecessor-version":[{"id":69250,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/69248\/revisions\/69250"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media\/69476"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media?parent=69248"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tags?post=69248"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events_cat?post=69248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}