{"id":68668,"date":"2021-11-19T02:37:09","date_gmt":"2021-11-19T07:37:09","guid":{"rendered":"https:\/\/www.ludwig-van.com\/montreal\/?post_type=tribe_events&p=68668"},"modified":"2021-11-19T02:37:09","modified_gmt":"2021-11-19T07:37:09","slug":"la-chapelle-du-roi-soleil","status":"publish","type":"tribe_events","link":"https:\/\/www.ludwig-van.com\/montreal\/event\/la-chapelle-du-roi-soleil\/2021-11-19\/","title":{"rendered":"La Chapelle Du Roi Soleil"},"content":{"rendered":"

Tout au long de son r\u00e8gne, Louis XIV encourage les meilleurs musiciens du royaume \u00e0 composer pour sa Chapelle les motets de diverses dimensions, festifs ou recueillis, qui accompagnent tant les liturgies quotidiennes que les c\u00e9r\u00e9monies extraordinaires. \u00c0 ce concert, vous pourrez entendre un instrument rare et impressionnant, le serpent. Cette basse du cornet \u00e0 bouquin se pr\u00e9sente tout en courbes pour que le musicien puisse en boucher facilement les trous. Il fut employ\u00e9 pour accompagner les choeurs d\u2019\u00e9glise jusqu\u2019au d\u00e9but du XXe\u00a0<\/span>si\u00e8cle.<\/p>\n

 <\/p>\n

Programme:<\/strong><\/h3>\n
\n
\n

Marc-Antoine Charpentier\u00a0<\/b>(1643-1704)
\nOuverture pour le sacre d\u2019un \u00e9v\u00eaque<\/em>, H. 536 (manus., v. 1690-1695)<\/p>\n

Henry Du Mont<\/b>\u00a0(1610-1684)
\nGrand motet de psaume\u00a0Nisi Dominus<\/em>\u00a0pour solistes, ch\u0153ur et orchestre (manus., s.d.)<\/p>\n

Henry Du Mont
\n<\/b>Symphonie en\u00a0sol<\/em>\u00a0(Motets \u00e0 II, III et IV parties<\/em>, 1681)<\/p>\n

Jean-Baptiste Lully<\/b>\u00a0(1632-1687)
\nGrand motet de psaume\u00a0De profundis<\/em>\u00a0pour solistes, ch\u0153ur et orchestre, LWV 62 (1683;\u00a0Motets \u00e0 deux ch\u0153urs pour la Chapelle du roi<\/em>, 1684)<\/p>\n

Henry Du Mont
\n<\/b>Symphonie en\u00a0r\u00e9\u00a0<\/i>(Cantica Sacra<\/em>, 1652)<\/p>\n

Michel-Richard Delalande<\/b>\u00a0(1657-1726)
\nGrand motet de psaume\u00a0De profundis<\/em>\u00a0pour solistes, ch\u0153ur et orchestre, S.\u00a023 (1689, v.1715;\u00a0Motets de feu Mr. de la Lande<\/em>, 1729-1733)
\nR\u00e9cit de basse-taille et ch\u0153ur
\nQuatuor
\nR\u00e9cit de taille
\nTrio
\nR\u00e9cit de dessus
\nCh\u0153ur
\nR\u00e9cit de haute-contre \u2013 Ch\u0153ur
\nCh\u0153ur \u2013 Ch\u0153ur<\/p>\n

Nicolas Cl\u00e9rambault<\/b>\u00a0(1676-1749)
\nGrand motet\u00a0Regina c\u00e6li\u00a0<\/em>pour solistes, ch\u0153ur et orchestre, C.\u00a0140 (manus.\u00a0Motets avec symphonie, livre quatri\u00e8me<\/em>, v.1745)<\/p>\n<\/div>\n<\/section>\n

\n

DISTRIBUTION<\/h3>\n
\n
<\/div>\n<\/div>\n<\/div>\n
\n
\n

Solistes<\/b>
\nAnne-Marie Beaudette<\/strong>\u00a0et\u00a0Marie Magistry<\/strong>, dessus
\nHaitham Haidar<\/strong>, haute-contre
\nMichiel Schrey<\/strong>, taille
\nPhilippe Martel<\/strong>\u00a0et\u00a0Normand Richard<\/strong>,\u00a0basses-tailles<\/p>\n

Choriste-soliste
\nJos\u00e9e Lalonde<\/strong><\/b>, bas-dessus<\/p>\n

Choristes\u00a0<\/strong>
\nStephanie Manias<\/strong>, dessus
\nMarie-Andr\u00e9e Mathieu<\/strong>\u00a0et\u00a0Charlotte Cumberbirch<\/strong>, bas-dessus
\nWilliam Kraushar<\/strong>, basse<\/p>\n

Instrumentistes
\nNo\u00e9my Gagnon-Lafrenais<\/strong>, violon 1 et\u00a0violon solo
\n<\/i>M\u00e9lanie de Bonville<\/strong>, violon 1
\nSarah Bleile<\/strong>\u00a0et\u00a0Marie Nadeau-Tremblay<\/strong>, violons 2
\nJacques-Andr\u00e9 Houle<\/strong>,\u00a0Peter Lekx<\/strong>,\u00a0Sari Tsuji<\/strong>,\u00a0Jimin Shin<\/strong>, altos
\nAmanda Keesmaat<\/strong>, violoncelle
\nHank Knox<\/strong>, orgue
\nSylvain Bergeron<\/strong>, guitare baroque
\nClaire Guimond<\/strong>\u00a0et\u00a0Anne Thivierge<\/strong>, fl\u00fbtes
\nMatthew Jennejohn<\/strong>\u00a0et\u00a0Karim Nasr<\/strong>, hautbois
\nAlex Belser<\/strong>, serpent
\nFran\u00e7ois Viault<\/strong>, basson
\n<\/strong>
\nMathieu Lussier<\/strong>, direction<\/p>\n<\/div>\n<\/section>\n

 <\/p>\n

Le prix des billets r\u00e9guliers est de 46$<\/p>\n","protected":false},"excerpt":{"rendered":"

Tout au long de son r\u00e8gne, Louis XIV encourage les meilleurs musiciens du royaume \u00e0 composer pour sa Chapelle les motets de diverses dimensions, festifs ou recueillis, qui accompagnent tant les liturgies quotidiennes que les c\u00e9r\u00e9monies extraordinaires.<\/p>\n","protected":false},"author":1,"featured_media":68669,"comment_status":"open","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"tags":[],"tribe_events_cat":[],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/68668"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/comments?post=68668"}],"version-history":[{"count":1,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/68668\/revisions"}],"predecessor-version":[{"id":68670,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/68668\/revisions\/68670"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media\/68669"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media?parent=68668"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tags?post=68668"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events_cat?post=68668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}