{"id":68512,"date":"2021-10-27T16:42:08","date_gmt":"2021-10-27T20:42:08","guid":{"rendered":"https:\/\/www.ludwig-van.com\/montreal\/?post_type=tribe_events&#038;p=68512"},"modified":"2021-10-27T16:42:08","modified_gmt":"2021-10-27T20:42:08","slug":"jakub-jozef-orlinski-contretenor-et-michal-biel-pianiste-club-musical-de-quebec","status":"publish","type":"tribe_events","link":"https:\/\/www.ludwig-van.com\/montreal\/event\/jakub-jozef-orlinski-contretenor-et-michal-biel-pianiste-club-musical-de-quebec\/","title":{"rendered":"Jakub J\u00f3zef Orli\u0144ski, contret\u00e9nor, et Micha\u0142 Biel, pianiste | Club musical de Qu\u00e9bec"},"content":{"rendered":"<p>Impossible de r\u00e9sister \u00e0 l\u2019extraordinaire charisme du contret\u00e9nor polonais Jakub J\u00f3zef Orli\u0144ski, qui remporte un v\u00e9ritable triomphe partout o\u00f9 il se produit gr\u00e2ce \u00e0 sa voix d\u2019une beaut\u00e9 invraisemblable et son sens inn\u00e9 du drame. Il sera pour l\u2019occasion soutenu par l\u2019admirable pianiste Micha\u0142 Biel, son compatriote, dans un passionnant programme couvrant trois si\u00e8cles de m\u00e9lodies aussi bien anglaises qu\u2019allemandes et polonaises.<\/p>\n<p>&nbsp;<\/p>\n<h2>Programme<\/h2>\n<p>Henry PURCELL (1659-1695)<\/p>\n<p>\u00ab Music for a while \u00bb, no 2 de la musique de sc\u00e8ne pour Oedipus, Z.583 (1692)<br \/>\nIf Music Be the Food of Love, Z.379 (au plus tard 1692)<br \/>\n\u00ab Fairest isle, all isles excelling \u00bb, tir\u00e9 de King Arthur, Z.628 (1691)<br \/>\n\u00ab Here the Deities approve \u00bb, no 3 de Welcome to All the Pleasures, Z.339 (1683)<br \/>\n\u00ab Strike the viol \u00bb, no 5 de Come, Ye Sons of Art Away, Z. 323 (1694)<\/p>\n<p>Franz SCHUBERT (1797-1828)<\/p>\n<p>Auf der Donau, D. 553 (1817)<br \/>\n\u00ab Die Stadt \u00bb, no 11 de Schwanengesang, D. 957 (1828)<br \/>\nNachtst\u00fcck, D. 672 (1819, 1825)<\/p>\n<p>George Frideric HANDEL (1685-1759), \u00ab Un zeffiro spir\u00f2, che seren\u00f2 quest\u2019alma \u00bb, tir\u00e9 de Rodelinda, regina de\u2019 Longobardi, HWV 19 (1725)<\/p>\n<p>Mieczys\u0142aw KAR\u0141OWICZ (1876-1909), extraits de Drugi \u015bpiewnik [Deuxi\u00e8me recueil de m\u00e9lodies], op. 3, et Najpi\u0119kniejsze piosnki [Les plus belles m\u00e9lodies], op. 4 (1897-1898)<\/p>\n<p>\u00ab Nie p\u0142acz nade mn\u0105 \u00bb [Ne pleure pas pour moi], op.3, no 7<br \/>\n\u00ab Z erotyk\u00f3w \u00bb [De l\u2019\u00e9rotisme], op.3, no 2<br \/>\n\u00ab Na spokojnym, ciemnym morzu \u00bb [Dans une mer calme et sombre], op.3, no 4<br \/>\n\u00ab M\u00f3w do mnie jeszcze \u00bb [Parle-moi plus], op.3, no 1<br \/>\n\u00ab Przed noc\u0105 wieczn\u0105 \u00bb [Avant la nuit \u00e9ternelle], op.3, no 6<br \/>\n\u00ab W wieczorn\u0105 ciesz\u0119 \u00bb [Je suis heureux le soir], op.3, no 8<br \/>\n\u00ab Czasem, gdy d\u0142ugo na p\u00f3\u0142 sennie marz\u0119 \u00bb [Parfois quand je r\u00eave longtemps et \u00e0 moiti\u00e9 endormi], op. 4, no 3<br \/>\n\u00ab Zaczarowana kr\u00f3lewna \u00bb [Princesse enchant\u00e9e], op.3, no 10<\/p>\n<p>Charles NAGINSKI (1909-1940), Look Down, Fair Moon (1942)<\/p>\n<p>Aaron COPLAND (1900-1990), Twelve Poems of Emily Dickinson (1950)<\/p>\n<p>\u00ab The world feels dusty \u00bb (no 4)<br \/>\n\u00ab Nature, the gentlest mother \u00bb (no 1)<br \/>\n\u00ab Why do they shut me out of heaven \u00bb (no 3)<\/p>\n<p>Henry PURCELL, \u00ab Your awful voice I hear \u00bb, no 10 de The Tempest, Z. 631 (v. 1695)<\/p>\n<p>&nbsp;<\/p>\n<p>Programme sujet \u00e0 changement<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Prix des\u00a0billets \u00e0 l&rsquo;unit\u00e9\u00a0: 52$ \u00e0 93$, moins de 30 ans 25$*<\/p>\n<div>(disponibles \u00e0 compter du 24 novembre)<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Impossible de r\u00e9sister \u00e0 l\u2019extraordinaire charisme du contret\u00e9nor polonais Jakub J\u00f3zef Orli\u0144ski, qui remporte un v\u00e9ritable triomphe partout o\u00f9 il se produit gr\u00e2ce \u00e0 sa voix d\u2019une beaut\u00e9 invraisemblable et son sens inn\u00e9 du drame<\/p>\n","protected":false},"author":1,"featured_media":68513,"comment_status":"open","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"tags":[],"tribe_events_cat":[],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/68512"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/comments?post=68512"}],"version-history":[{"count":1,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/68512\/revisions"}],"predecessor-version":[{"id":68514,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/68512\/revisions\/68514"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media\/68513"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media?parent=68512"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tags?post=68512"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events_cat?post=68512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}