{"id":68379,"date":"2021-10-15T01:25:21","date_gmt":"2021-10-15T05:25:21","guid":{"rendered":"https:\/\/www.ludwig-van.com\/montreal\/?post_type=tribe_events&p=68379"},"modified":"2021-10-15T01:25:21","modified_gmt":"2021-10-15T05:25:21","slug":"quebec-pays-basque","status":"publish","type":"tribe_events","link":"https:\/\/www.ludwig-van.com\/montreal\/event\/quebec-pays-basque\/","title":{"rendered":"QU\u00c9BEC \/ PAYS BASQUE"},"content":{"rendered":"
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Une rencontre entre deux cultures, deux musiques, deux traditions. Des cr\u00e9ations de compositeurs qu\u00e9b\u00e9cois et basques unissent Quasar et le Trio Zukan dans une conjonction in\u00e9dite !<\/p>\n<\/div>\n

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Suite \u00e0 un \u00e9change culturel au Pays basque espagnol, l\u2019envie est n\u00e9e de cr\u00e9er une rencontre entre le milieu des musiques nouvelles qu\u00e9b\u00e9coises et basques.
\nLe Trio Zukan incarne sa culture de mani\u00e8re franche en alliant une instrumentation contemporaine et traditionnelle gr\u00e2ce aux percussions, \u00e0 l\u2019accord\u00e9on et au txistu (une fl\u00fbte basque). Quasar est engag\u00e9 dans la cr\u00e9ation contemporaine par de multiples approches innovantes. Cr\u00e9er un choc entre la musique contemporaine du Qu\u00e9bec et des Pays basques semble \u00eatre une mesure in\u00e9dite, qui appelle au dialogue, \u00e0 l\u2019ouverture et …<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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PROGRAMME<\/h3>\n
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\u00c9milie Girard-Charest<\/span><\/span><\/header>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n

:\u00a0Quantum Statistical Zero-Knowledge<\/span><\/span>\u00a0,\u00a02021<\/span>\u00a0(**Commande de Quasar)<\/span>\u00a0pour\u00a0quatuor de saxophones (SATB), percussions, accord\u00e9on, txistu<\/span><\/div>\n<\/div>\n<\/article>\n<\/div>\n

\u00a0– cr\u00e9ation<\/div>\n<\/div>\n
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Miguel Matamoro<\/span><\/span><\/header>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n

:\u00a0Concerto Grosso\u00a0<\/span><\/span>,\u00a02021<\/span>\u00a0(**Commande par Trio Zukan)<\/span>\u00a0pour\u00a0quatuor de saxophones (SATB), percussions, accord\u00e9on, txistu<\/span><\/div>\n<\/div>\n<\/article>\n<\/div>\n

\u00a0– cr\u00e9ation<\/div>\n<\/div>\n
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Bertrand Dudebout<\/span><\/span><\/header>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n

:\u00a0Fractions du silence \u2013 Septi\u00e8me livre<\/span>\u00a0<\/span>,\u00a02021<\/span>\u00a0(**Commande de Quasar)<\/span>\u00a0pour\u00a0quatuor de saxophones (SSAT) et \u00e9lectronique<\/span><\/div>\n<\/div>\n<\/article>\n<\/div>\n

\u00a0– cr\u00e9ation<\/div>\n<\/div>\n
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Zurine F. Gerenabarrena<\/span><\/span><\/header>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n

:\u00a0Harri haize harea<\/span><\/span>\u00a0,\u00a02021<\/span>\u00a0pour\u00a0accord\u00e9on, percussions, txistu et dispositif \u00e9lectroacoustique<\/span><\/div>\n<\/div>\n<\/article>\n<\/div>\n

\u00a0– cr\u00e9ation<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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PARTICIPANTS<\/h3>\n
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QUA<\/span>S<\/span>AR<\/span><\/span><\/header>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n
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MARIE-CHANTAL L<\/span>ECLAIR<\/span><\/span><\/header>\n<\/div>\n<\/div>\n<\/article>\n
(saxophone soprano)<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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MATHIEU LECLAIR<\/span>\u00a0<\/span><\/header>\n<\/div>\n<\/div>\n<\/article>\n
(saxophone alto)<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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ANDR\u00c9 LEROUX<\/span>\u00a0<\/span><\/header>\n<\/div>\n<\/div>\n<\/article>\n
(saxophone t\u00e9nor)<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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JEAN-MARC BOUCHARD<\/span>\u00a0<\/span><\/header>\n<\/div>\n<\/div>\n<\/article>\n
(saxophone baryton)<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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TRIO ZUKAN<\/span><\/span><\/header>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n
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JON ANSORENA<\/span>\u00a0<\/span><\/header>\n<\/div>\n<\/div>\n<\/article>\n
(txistu)<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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MARIA ZUBIMENDI<\/span>\u00a0<\/span><\/header>\n<\/div>\n<\/div>\n<\/article>\n
(accord\u00e9on)<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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GORKA CATEDIANO<\/span>\u00a0<\/span><\/header>\n<\/div>\n<\/div>\n<\/article>\n
(percussion)<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Suite \u00e0 un \u00e9change culturel au Pays basque espagnol, l\u2019envie est n\u00e9e de cr\u00e9er une rencontre entre le milieu des musiques nouvelles qu\u00e9b\u00e9coises et basques. <\/p>\n","protected":false},"author":1,"featured_media":68380,"comment_status":"open","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"tags":[],"tribe_events_cat":[],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/68379"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/comments?post=68379"}],"version-history":[{"count":1,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/68379\/revisions"}],"predecessor-version":[{"id":68381,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/68379\/revisions\/68381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media\/68380"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media?parent=68379"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tags?post=68379"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events_cat?post=68379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}