Ce concert transgenre regroupe des \u0153uvres inspir\u00e9es du metal d\u2019Harry Stafylakis et Nicholas Omiccioli, une \u0153uvre inspir\u00e9e de la musique populaire indie-pop de la sc\u00e8ne new-yorkaise de Missy Mazzoli ainsi qu\u2019une \u0153uvre inspir\u00e9e de la philosophie du cin\u00e9ma d\u2019horreur sign\u00e9e Nicole Liz\u00e9e. L\u2019ensemble a command\u00e9 pour ce projet un double concerto pour guitare \u00e9lectrique et batterie accompagn\u00e9 d\u2019un ensemble Pierrot de Tim Brady et une cr\u00e9ation de la compositrice torontoise Rose Bolton qui fusionne musique traditionnelle et \u00e9lectronique. Ce concert fait partie de la saison 2018-19 de l\u2019Ensemble Paramirabo et est codiffus\u00e9 avec le groupe Le Vivier.<\/p>\n
PARTICIPANTS
\nTim Brady, guitare \u00e9lectrique
\nBen Reimer, batterie
\nJennifer Thiessen, alto
\nEnsemble Paramirabo (Jeffrey Stonehouse, fl\u00fbtes;\u00a0Victor Alibert, clarinettes; Genevi\u00e8ve Liboiron, violon;\u00a0Viviana Gosselin, violoncelle;\u00a0Daniel \u00c1\u00f1ez, piano;\u00a0David Therrien-Brongo, percussions)<\/p>\n
PROGRAMME Ce concert transgenre regroupe des \u0153uvres inspir\u00e9es du metal d\u2019Harry Stafylakis et Nicholas Omiccioli, une \u0153uvre inspir\u00e9e de la musique populaire indie-pop de la sc\u00e8ne new-yorkaise de Missy Mazzoli ainsi qu\u2019une \u0153uvre inspir\u00e9e de la philosophie du cin\u00e9ma d\u2019horreur sign\u00e9e Nicole Liz\u00e9e. L\u2019ensemble a command\u00e9 pour ce projet un double concerto pour guitare \u00e9lectrique et […]<\/p>\n","protected":false},"author":1,"featured_media":59597,"comment_status":"open","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"tags":[],"tribe_events_cat":[6109,5052,5327,5902,5027,5024,5124,6476],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/59593"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/comments?post=59593"}],"version-history":[{"count":2,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/59593\/revisions"}],"predecessor-version":[{"id":59598,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events\/59593\/revisions\/59598"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media\/59597"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media?parent=59593"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tags?post=59593"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tribe_events_cat?post=59593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nNicole Liz\u00e9e,\u00a0Music for Body-Without-Organs<\/em>\u00a0(2011) \u2028fl\u00fbte, clarinette, violon, violoncelle et piano\u2028Commande:\u00a0Ensemble Transmission, avec l\u2019aide du\u00a0CALQ
\nMissy Mazzoli,\u00a0Still Life with Avalanches<\/em>\u00a0(2008)
\nRose Bolton,\u00a0[titre \u00e0 d\u00e9terminer]<\/em>\u00a0(2019) (cr\u00e9ation)
\nTim Brady,\u00a0Double Concerto<\/em>\u00a0(2019) (cr\u00e9ation)
\nNicholas Omiccioli,\u00a0Push \/ Pull\u00a0<\/em>(2013-15)
\nHarry Stafylakis,\u00a0Calibrating Friction<\/em>\u00a0(2016)<\/p>\n","protected":false},"excerpt":{"rendered":"