{"id":76740,"date":"2023-06-23T10:15:22","date_gmt":"2023-06-23T14:15:22","guid":{"rendered":"https:\/\/www.ludwig-van.com\/montreal\/?p=76740"},"modified":"2024-06-24T12:11:50","modified_gmt":"2024-06-24T16:11:50","slug":"ecoute-10-pieces-classiques-inspirees-du-folklore-quebecois-a-ecouter-pour-la-fete-nationale","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/montreal\/2023\/06\/23\/ecoute-10-pieces-classiques-inspirees-du-folklore-quebecois-a-ecouter-pour-la-fete-nationale\/","title":{"rendered":"\u00c9COUTE | 10 pi\u00e8ces classiques inspir\u00e9es du folklore \u00e0 \u00e9couter pour la F\u00eate nationale du Qu\u00e9bec"},"content":{"rendered":"<figure id=\"attachment_76745\" aria-describedby=\"caption-attachment-76745\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-76745\" src=\"https:\/\/www.ludwig-van.com\/montreal\/wp-content\/uploads\/sites\/3\/2023\/06\/Copie-de-DOSSIER-2.jpg\" alt=\"La Chasse-galerie, photogravure d'Henri Julien, 1916, Collection Mus\u00e9e McCord (Domaine public)\" width=\"1200\" height=\"628\" \/><figcaption id=\"caption-attachment-76745\" class=\"wp-caption-text\">La Chasse-galerie, photogravure d&rsquo;Henri Julien, 1916, Collection Mus\u00e9e McCord (Domaine public)<\/figcaption><\/figure>\n<h3><span style=\"color: #808080;\">Nombre de compositeurs se sont inspir\u00e9 de leur folklore national. On peut penser par exemple \u00e0 Dvo\u0159\u00e1k, Grieg et Bart\u00f3k. Pour la F\u00eate nationale du Qu\u00e9bec, cette liste vous propose des \u0153uvres ayant \u00e0 leur base certains des airs les plus connus du folklore qu\u00e9b\u00e9cois ou de chansons plus r\u00e9centes, par des compositeurs d&rsquo;ici et d&rsquo;ailleurs.\u00a0<\/span><\/h3>\n<h3><span style=\"color: #808080;\">Heureuse F\u00eate nationale du Qu\u00e9bec, ou bonne Saint-Jean \u00e0 vous, fid\u00e8les lectrices et lecteurs!\u00a0<\/span><\/h3>\n<h2>1- Les Diableries de Fran\u00e7ois Dompierre<\/h2>\n<p>Impossible de passer \u00e0 c\u00f4t\u00e9 des Diableries de <strong>Dompierre<\/strong>! Originalement compos\u00e9e pour orchestre, cette suite pr\u00e9sentant un diable tour \u00e0 tour boiteux, amoureux, gigueux, heureux et grincheux, est souvent interpr\u00e9t\u00e9e dans sa version pour violon et piano.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/EmgxEuSNkN4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h2><\/h2>\n<h2>2- Chants du Qu\u00e9bec de Serouj Kradjian<\/h2>\n<p>Le pianiste <strong>Serouj Kradjian<\/strong>, \u00e9tabli \u00e0 Toronto, est aussi un compositeur et arrangeur prolifique. En 2017, l&rsquo;ensemble Amici dont il fait partie a lanc\u00e9 l&rsquo;album <em>Inspired by Canada\/Notre pays<\/em>, sur lequel on trouve cette suite de trois folklores qu\u00e9b\u00e9cois pour voix et piano.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WQtXqFfT9FQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>&nbsp;<\/p>\n<h2>3- Three Folk Miniatures pour orchestre \u00e0 vent d&rsquo;Andr\u00e9 Jutras<\/h2>\n<p>Un classique du r\u00e9pertoire d&rsquo;harmonie, les <em>Three Folk Miniatures<\/em> de Jutras combinent les folklores <em>V&rsquo;l\u00e0 l&rsquo;bon vent, Isabeau s&rsquo;y prom\u00e8ne<\/em> et <em>Les Raftmen<\/em> en une suite vif-lent-vif.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ycBRjMLTiBY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h2><\/h2>\n<h2>4- Canada Mosaic de Jean Coulthard<\/h2>\n<p><strong>Jean Coulthard<\/strong> est une compositrice canadienne majeure du XXe si\u00e8cle. Souvent mentionn\u00e9e en trio avec <strong>Barbara Pentland<\/strong> et <strong>Violet Archer<\/strong>, elle a enseign\u00e9 \u00e0 la Facult\u00e9 de musique de l&rsquo;Universit\u00e9 de Colombie-Britannique. Dans <em>Canada Mosaic<\/em>, elle utilise le chant bien connu <em>\u00c0 la claire fontaine, <\/em>chanson traditionnelle fran\u00e7aise qui a travers\u00e9 l&rsquo;Atlantique pour faire partie de nos plus beaux souvenirs.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/I3YkP4WGoqA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;start=315&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h2><\/h2>\n<h2>5- Danse villageoise de Claude Champagne<\/h2>\n<p>Sans faire de citation exacte, cette danse enjou\u00e9e de <strong>Claude Champagne<\/strong> se rapproche clairement d&rsquo;un style folklorique.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/iuYjxVXpnjQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h2><\/h2>\n<h2>6- Les L\u00e9gendes de Jacques H\u00e9tu<\/h2>\n<p>Ici, l&rsquo;inspiration directe n&rsquo;est pas la musique folklorique, mais bien trois l\u00e9gendes correspondant aux trois mouvements de l&rsquo;\u0153uvre : Alexis le Trotteur, le Diable au bal et la Chasse-galerie. On retrouve cependant de nettes influences folkloriques tout au long.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7weNkqUsyuA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<h2><\/h2>\n<h2>7- Symphonie gasp\u00e9sienne de Claude Champagne<\/h2>\n<p>Il s&rsquo;agit d&rsquo;une \u00e9coute plus longue, dans laquelle les influences folkloriques sont moins imm\u00e9diatement perceptibles, mais cette description musicale des paysages gasp\u00e9siens est tellement belle que je n&rsquo;ai pu r\u00e9sister \u00e0 vous la faire d\u00e9couvrir.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/aHQ-I6EcDkE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>&nbsp;<\/p>\n<h2>8- Three Songs for Chorus A Capella de Philip Glass<\/h2>\n<p>Pour cette commande, le c\u00e9l\u00e8bre compositeur am\u00e9ricain s&rsquo;est inspir\u00e9 de deux chansons d&rsquo;ici, soit <em>There are some men<\/em>, de <strong>Leonard Cohen<\/strong>, <em>Quand les hommes vivront d&rsquo;amour<\/em>, de <strong>Raymond L\u00e9vesque<\/strong>, et du po\u00e8me <em>Pierre de soleil<\/em> du Mexicain <strong>Octavio Paz<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/PA1uR2wAIfc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;start=225&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>&nbsp;<\/p>\n<h2>9-Le mouvement <em>Chaleur<\/em> de la Symphonie de la temp\u00eate de verglas, de Maxime Goulet<\/h2>\n<p>La <em>Symphonie de la temp\u00eate de verglas<\/em>, \u0153uvre en quatre mouvements du compositeur qu\u00e9b\u00e9cois <strong>Maxime Goulet<\/strong>, souligne le 25e anniversaire de cette catastrophe naturelle qui a marqu\u00e9 notre histoire. La cr\u00e9ation int\u00e9grale de cette symphonie, d\u00e9j\u00e0 enregistr\u00e9e sur <strong>ATMA Classique<\/strong>, a eu lieu <a href=\"https:\/\/www.ludwig-van.com\/montreal\/2023\/06\/22\/critique-une-fin-de-saison-remarquable-pour-lorchestre-classique-de-montreal\/\" target=\"_blank\" rel=\"noopener\">le 20 juin 2023 \u00e0 la Maison symphonique<\/a>, par l&rsquo;<strong>Orchestre classique de Montr\u00e9al<\/strong>, et l&rsquo;enregistrement a valu \u00e0 l&rsquo;orchestre le prix Juno de l&rsquo;album classique de l&rsquo;ann\u00e9e &#8211; grands ensembles. Le second mouvement de la Symphonie, <em>Chaleur<\/em>, est fortement inspir\u00e9 de notre folklore.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ukUyb4BaBM8?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>&nbsp;<\/p>\n<h2>10-J&rsquo;entends le moulin, arrangement de Donald Patriquin<\/h2>\n<p>Les arrangements imaginatifs de <strong>Donald Patriquin<\/strong> d\u2019airs traditionnels tels que <em>J\u2019entends le moulin, Ah! Si mon moine voulait danser<\/em> ou <em>I Went to the Market<\/em> sont chant\u00e9s \u00e0 travers le monde, comme dans cette vid\u00e9o du <strong>King&rsquo;s College<\/strong>, en Angleterre.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/FWiUuo4Bi_k?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=fr-FR&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>&nbsp;<\/p>\n<p><em>Note : la version originale de cet article a \u00e9t\u00e9 publi\u00e9e le 24 juin 2019. Il s&rsquo;agit d&rsquo;une version mise \u00e0 jour. Merci \u00e0 Paul Cadrin et \u00e0 \u00c9ric Champagne pour leur aide \u00e0 la formulation de cette liste.<\/em><\/p>\n<h2><em>Inscrivez-vous \u00e0 notre infolettre! La musique classique et l&rsquo;op\u00e9ra en 5 minutes, chaque jour<\/em> \u00a0<span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https:\/\/ludwig-van.us9.list-manage.com\/subscribe?u=4f785cb3f9058f2393ccad035&amp;id=b9b160c032\" target=\"_blank\" rel=\"noopener noreferrer\">ICI\u00a0<\/a><\/span><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Nombre de compositeurs se sont inspir\u00e9 de leur folklore national. On peut penser par exemple \u00e0 Dvo\u0159\u00e1k, Grieg et Bart\u00f3k. Pour la F\u00eate nationale du Qu\u00e9bec, cette liste vous propose des \u0153uvres ayant \u00e0 leur base certains des airs les plus connus du folklore qu\u00e9b\u00e9cois ou de chansons plus r\u00e9centes, par des compositeurs d&rsquo;ici et d&rsquo;ailleurs.\u00a0<\/p>\n","protected":false},"author":55,"featured_media":76745,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"jetpack_post_was_ever_published":false},"categories":[42065,10956,5797],"tags":[42066,401,38749],"yst_prominent_words":[8511,10551,10175,11204,32326,24491,32337,7438,32340,21466,10020,32333,10109,40965,40955,32335,32336],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/montreal\/wp-content\/uploads\/sites\/3\/2023\/06\/Copie-de-DOSSIER-2.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9bdYt-jXK","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/posts\/76740"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/users\/55"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/comments?post=76740"}],"version-history":[{"count":7,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/posts\/76740\/revisions"}],"predecessor-version":[{"id":82401,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/posts\/76740\/revisions\/82401"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media\/76745"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/media?parent=76740"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/categories?post=76740"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/tags?post=76740"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/montreal\/wp-json\/wp\/v2\/yst_prominent_words?post=76740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}