REVIEW | Film or no film, the OSM in Brahms sounds fine

Much credit is owing OSM veteran André Moisan, who played with the kind of intricate mastery that distinguishes itself even amid a rich texture. (Photo: Antoine Saito)

Take it or leave it: these are the possible ways of reacting to the philosophy behind the “Brahms and the Art of Film” (Le 7e Art et Brahms) series presented in the Maison symphonique by the OSM under Kent Nagano.