{"id":12689,"date":"2024-03-11T17:31:07","date_gmt":"2024-03-11T17:31:07","guid":{"rendered":"https:\/\/www.ludwig-van.com\/main\/?p=12689"},"modified":"2024-03-11T17:31:07","modified_gmt":"2024-03-11T17:31:07","slug":"detroit-stages-rare-john-cage-operas","status":"publish","type":"post","link":"https:\/\/www.ludwig-van.com\/main\/2024\/03\/11\/detroit-stages-rare-john-cage-operas\/","title":{"rendered":"Detroit Stages Rare John Cage Operas"},"content":{"rendered":"
\"A
A scene from John Cage\u2019s Europeras: 3 & 4 (Photo: Detroit Opera)<\/figcaption><\/figure>\n

This weekend, the Detroit Opera revived<\/a> the pioneering composer and theorist John Cage\u2019s rarely performed Europeras: 3 & 4<\/a>. The opera was staged by Yuval Sharon and the cast included star singers Dav\u00f3ne Tines and Susan Graham.<\/p>\n

The backstory:<\/strong> John Cage\u2019s Europeras: 3 & 4 are considered Cage\u2019s \u201cmiddle operas.\u201d They consist of a 70-minute musical collage of aleatoric representations of Western art music, which unfold according to the I Ching. The title suggests a representation of European operas as well as \u201cyour operas,\u201d and for the original performance in 1990, audiences were given Madlib-style programs. Each performance of the operas is different as audiences open their ears to new realms of sound, like in Cage\u2019s famous 4\u201933.\u201d<\/a><\/p>\n

Zoom out:<\/strong> Presenting Cage\u2019s works can be a risk for organizations whose audiences expect the classics. Director of the Detroit productions Yuval Sharon summed up the ethos of the Cage works in an interview with the New York Times<\/a>; they\u2019re all about allowing performers and audiences to pay attention in different ways.<\/p>\n","protected":false},"excerpt":{"rendered":"

This weekend, the Detroit Opera revived John Cage\u2019s Europeras: 3 & 4 in a staging by Yuval Sharon.<\/p>\n","protected":false},"author":48,"featured_media":12690,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false},"categories":[360,3,80],"tags":[403,402],"yst_prominent_words":[],"acf":[],"jetpack_featured_media_url":"https:\/\/www.ludwig-van.com\/main\/wp-content\/uploads\/sites\/6\/2024\/03\/John-Cages-Europeras-3-4.jpg","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ludwig-van.com\/main\/wp-json\/wp\/v2\/posts\/12689"}],"collection":[{"href":"https:\/\/www.ludwig-van.com\/main\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ludwig-van.com\/main\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/main\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/main\/wp-json\/wp\/v2\/comments?post=12689"}],"version-history":[{"count":1,"href":"https:\/\/www.ludwig-van.com\/main\/wp-json\/wp\/v2\/posts\/12689\/revisions"}],"predecessor-version":[{"id":12691,"href":"https:\/\/www.ludwig-van.com\/main\/wp-json\/wp\/v2\/posts\/12689\/revisions\/12691"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ludwig-van.com\/main\/wp-json\/wp\/v2\/media\/12690"}],"wp:attachment":[{"href":"https:\/\/www.ludwig-van.com\/main\/wp-json\/wp\/v2\/media?parent=12689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/main\/wp-json\/wp\/v2\/categories?post=12689"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/main\/wp-json\/wp\/v2\/tags?post=12689"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.ludwig-van.com\/main\/wp-json\/wp\/v2\/yst_prominent_words?post=12689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}